Tuesday, February 22, 2011
Actor Obsession: Kyle MacLachlan
His was one of my favourite long term romance stories on Sex and the City. As Trey, Charlotte's first husband, MacLachlan was Mr. Perfect. With that comically perfect hair, impossibly chiseled jaw and classic movie star voice, MacLachlan reads as that guy that Charlotte knows from fairy tales. Add that Trey was a rich doctor from a good family and Charlotte's found the perfect man she's been holding out for, the one she wants. Add a little erectile dysfunction, some serious mom issues and general emotional ineptitude and Trey is everything Charlotte doesn't need. That was what was so great about it. Trey was everything she was looking for and was one of the biggest let downs in her 6 season run. Harry, on the other hand (husband number 2), wasn't anything like what she wanted, he was nothing like the perfect Trey, so he ended up being perfect for Charlotte. Kyle MacLachlan was the key to that dichotomy in Trey. His particular brand of off-kilter perfection told us everything we needed to know about Charlotte.
Then there's the brilliant Orson Hodge. Bree's dentist husband on Desperate Housewives was simultaneously creepy and disarming, trustworthy and malicious, sympathetic and psychopathic, abused and abusive. And MacLachlan managed to play all those things in a single shot. Over 6 seasons we learned a lot about Orson and understood almost nothing about him, except whatever MacLachlan decided to give the camera that week... and with Orson, that could have been anything.
Finally, this week's How I Met Your Mother capped his wonderful arc as The Captain, Zoe's ex-husband and Ted's feared "friend". MacLachlan played The Captain with a lot of sympathy and humanity, as a lonely guy desperate for love, friendship and someone to share his boat with. Use that bizarrely handsome, threateningly regal thing the actor has going for him and filter the character that through Ted's self-centered, romantic and overly dramatic eyes and The Captain is a threatening nemesis who is likely to kill Ted for stealing his woman. It was pretty brilliant, and no one could have pulled off that part better than Kyle MacLachlan.
Top it all off with his fantastically controlled performance as Claudius in Michael Almereyda's crazy, modern Hamlet film and MacLachlan is officially one of my favourite actors in the business.
Friday, January 14, 2011
Exclusive Interview: Zaib Shaikh
Sunday, January 09, 2011
TV Stars in The Movies
First there's the rush of TV faces who play a crowd at a dinner party and make up the brief but best part of Fair Game. Current TV superstar (and longtime My TV favourite, from way before Modern Family) Ty Burrell is there alongside beloved character actors from past TV seasons like FRIENDS' Susan (Jessica Hecht) and Grey's Anatomy's Erica Hahn (Brooke Smith). Fantastic Broadway player Norbert Leo Butz formerly of ABC's short-lived The Deep End also joins them for dinner.
Grey's Anatomy's Sandra Oh livens up a dreary adaptation of Rabbit Hole, as she does for anything she's in, former Joan of Arcadia star Amber Tamblyn, Everwood's Treat Williams, Lizzy Caplan from Party Down/The Class and Gossip Girl's Clemence Poesy fill the limited supporting roles in James Franco (Freaks & Geeks/ General Hospital)'s tour de force 127 Hours. and That 70's Show's Mila Kunis continues her rise to film stardom with an impressive and My Cinema Award (among other awards)- nominated supporting performance in Black Swan.
Gossip Girl's best actress Leighton Meester gives the performance of her career so far in Country Strong as a beauty queen-turned-country singer on tour with her idol. Meester delivers excellent vocals and a compelling performance as the surprisingly multi-faceted Chiles Stanton.
And then there's Burlesque. The musical is absolutely packed with TV stars delivering excellent performances. Grey's Anatomy's Eric Dane plays a slick real-estate tycoon and Veronica Mars herself Kristin Bell plays the star of the burlesque show, showing off that Tisch musical theatre degree that so many people forget about. David Walton (100 Questions/Perfect Couples) and Dianna Agron (Glee) put in fantastic turns in tiny but important parts, and pros of the reality dance world Julianne Hough (Dancing with the Stars) and Chelsea Traille (So You Think You Can Dance) hold down the burlesque chorus. Perhaps the best TV star performances come from former OC stars Peter Gallagher and Cam Gigandet. Gallagher, always reliably excellent, plays Cher's ex-husband and co-club owner. Gigandet, remembered fondly as the guy who killed Marissa, nails the easily-fumbled role of Christina Aguilera's unavailable love interest with easy charm and sincerity.
If you're going to the movies this month, you're bound to see some truly excellent film actors. But don't forget where a lot of them find their home- TV.
Wednesday, June 30, 2010
Fat Shows, the biggest problem since Skinny Shows
Huge is pulling from 2 sides: it wants Will to just give in and try to "change her life" as Gina Torres' fatcamp director character (with secrets!) urges, but it also needs Will there to spout the standard after school special "why should I have to change to meet your standards?... there's more to the world than looks" lines. Neither side is very endearing. Someone thinking fat camp is stupid is not the same thing as, what did Torres' character call it? Oh yeah, "risking your life rather than changing it". But Will doesn't stand for anything. She has no reason to fight against the camp. She's just being rebellious for rebellion's sake. Well that's pretty stupid. Every character in Huge is defined by their body. There are the skinny ones who are obsessed with being skinny. There are the fat ones who are obsessed with being skinny. And then there's Will, who needs her fat because it gives her some sort of outsider edge. She's rebelling against the mainstream by refusing to look like their ideal. Aren't there better ways to rebel against the mainstream? Why would you actively try to gain weight? I understand not actively trying to lose it, that takes a lot of time and energy that could just as easily be spent on more interesting things. But to actively fight against it, that makes you as boring as the people who spend all their time counting calories- you're counting too, just in the other direction.
It seems to me that TV right now is obsessed with weight. Top Chef just did a challenge designed around childhood obesity. The newest in the string of dance shows is called Dance Your Ass Off. Last year they made The Bachelor for Fat People (it's unofficial title). There's a sitcom slated for the fall about people who meet at Overeaters Anonymous. For crying out loud, The Biggest Loser got it's own spinoff!
For awhile there I thought Glee might have the right idea; Mercedes, an overweight teen, was the reigning diva of the school and pretty darn self assured. Then came the episode when a cheerleading uniform managed to unseat every shred of self worth Ms. Divarific had and she had to be set straight by little pregnant angel Quinn. And then they sang Christina Aguilera, because why wouldn't they? After finding that episode personally offensive I pretty much gave up on Glee ever having the right idea.
Drop Dead Diva's on the right track when dealing with the issue of fatness. There's a whole episode about not being afraid of the word fat. About accepting that the average woman in America does not look like a TV character. About treating people equally. That's definitely the right idea, that's how it should go. Don't be afraid of the word fat but don't worship it either. "Fat" to me is about as interesting as "tall" or "blue-eyed" or "brunette", but for some reason it matters more to everyone else. Even the Fat Shows (yes, that's what I'm calling them), Diva aside, which are, in theory, helping to move the nation in the right direction in terms of standards of beauty and treatment of others, are doing nothing more or less than making it a big deal. Again. Even more. How is that helpful?
Gilmore Girls married off Sookie (Melissa McCarthy's overweight character) to a charming, average guy named Jackson. I say average and I don't mean average in the sense of everyone else is a TV hunk and he's an average Joe, I mean average, like standard in the world of Stars Hollow, like what average actually means. Sookie's weight wasn't a big deal, it was about as interesting as her height or her eye colour or (and here's another thing I think should be handled similarly) her race. Why shouldn't Jackson fall in love with Sookie? Sookie's awesome. Last season on 90210 Navid started dating a girl who was a bit larger than average (aka severly chubby by 90210 standards) but very pretty. Absolutely nothing was made of it. She was a real threat to Adriana, a real love interest to Navid and a character with many more interesting things about her than her weight. I know, 90210, who'da thunk, but it showed real progress.
Huge is a step backwards. A big step backwards. Maybe that's what the title means, "we're taking a HUGE step backwards". Otherwise it's pretty much just a tasteless title. Star Nikki Blonsky (Will) had her big Hollywood breakthrough in Hairspray, a role so anti-huge I can't even believe it. Tracy Turnblad has nothing in common with Will. Will wants to stand on the outside and shout at those on the in, take anything she can get to make her different (read: superior for being different) whether it's her weight or her hair and fly it as a flag that stands for nothing. All Tracy wanted was to get to join the party; she thought everyone should be invited. She wasn't going to lose weight to get in, she wouldn't even change her hairdo when it got her put in detention. She was fine just the way she was, but Tracy also thought everyone else was fine, no matter how skinny, fat, tall, short, black or white they were. She assumed Link would fall in love with her because her weight's not nearly as important as her other qualities, and he did, because those other qualities were pretty great "no matter what [she] weighs". TV needs to get over the fact that the issue of fat is anything huge (forgive the terrible pun). Fat needs to be an adjective that carries about as much weight as all the other ones. I'd like to see TV characters who get to be nouns, not adjectives.
Let's have people who look like people and treat them as such. Let's have tall people AND short people, people with straight hair AND with curls; let's have white people, black people, asian people, hispanic people, people with freckles, people with moles, redheads, brunettes, blonds, skinny people, fat people and all the people in between. Let's have them all, and let that be okay.
Sunday, June 13, 2010
Canada's Got More Hits



With yet another recent TV hit, an awesome new movie (starring Jay Baruchel and Colm Feore, home-grown Canadian boys with cross-border appeal) and one of our best writers (Rob Sheridan) inking a deal with Warner Brothers to develop a comedy script for the American market, the Canadian industry is on the rise. Support it by checking out 18 to Life and going to see The Trotsky, you won't regret it.
Tuesday, May 18, 2010
Mr. Romantic is at it again.

A little Love Actually of course.

Marshall's tiny B story was fun, Robin's "also, a bit cheesy" one liners were great and the whole baggage metaphor was really pretty sweet. Oh, and Judy Greer: always fantastic.
Wednesday, March 24, 2010
Obsessions of March 23, 2010
The return of United States of Tara: my second favourite Showtime show is back on the air (second only to the incomparable Dexter). Emmy winner Toni Collette returns in her powerhouse title role with all the wonderful supporting cast that made season one of Diablo Cody's heartfelt dramedy so memorable. This week's premiere episode has already started the season off in a promising direction.
Boston Rob: he was my favourite going in and has only risen in my estimation since the premiere of Heroes vs. Villains. Clearly the leader of his tribe, this Survivor veteran is too in control too early in the game to likely make it to the end but every week that he stays will be another week I love this season of Survivor (a show I have not watched faithfully since Rob's last appearance in the original All-Stars season).
Rowley: I'm not saying you should actually go see Diary of a Wimpy Kid, it's really just an ok movie at best. But if you do and come out of it not loving a kid named Rowley, something's wrong with you. Also, it needs to be said, Greg Heffley might be the worst role model I have ever seen on screen (then again, I've never seen a Miley Cyrus movie).
The Amazing Race Cowboys: these charismatic sweethearts have proven themselves to be front-runners in an excellent season of the race. Surprisingly smart, daring as hell, cooperative, competitive and determined, Jet and Cord have everything they need to win the race (including the always helpful sibling relationship, a common race-winner).
Drop Dead Diva season one: I've been re-watching the show on my wonderful screener DVDs from Lifetime and am loving it now as much as (if not more than) I did the first time around. It's even greater when you know the story of the show's creation. Read my interview with creator Josh Berman for the full scoop on the size 16 who carries herself like a supermodel. Season two premieres in June on Lifetime.
The Liam Triangle: Naomi is hands down the most interesting character on the new 90210 (though both Adrianna and Silver are plenty entertaining) and I'm usually rooting for her, but I think I may be on team Ivy in this one. Sure before the whole Jen thing Naomi and the incredibly hot Liam were perfect for one another but lately I really think that what the broody boy needs is a nice low-key surfer chick who just gets him.
The Actor's Shakespeare Project's Othello: Boston's premiere Shakespeare troupe conquered one of the bard's toughest tragedies with ease and artistry. Though Othello was outmatched by his cast mates (though cursed with an unsympathetically stupid character from the get go), Desdemona was breathtaking, Emilia heartrending and Iago thrilling.
Michael Imperioli: as I make my way through my Sopranos box set I find myself liking his character of Christopher more every episode. He quickly became the highlight of the series for me.
Bradley Whitford on The Sarah Silverman Program: I love to see my beloved Josh Lyman anywhere but the absurdity of him as a guest star on one of TV's oddest programs made me giggle delightedly.
Season 4 of Big Love: I know I never actually wrote about it (the fact that I missed the finale playing a definite part there) but I just want you to know that I loved this season every bit as much as its predecessors. Amy Acker is right, Big Love is the best thing out there.
Tuesday, February 09, 2010
Things That Need To Be Said
Rabbits are, in fact, much better than Ducks. Unless those Ducks be Mighty.
(How I Met Your Mother)
Naomi Bennett is a TERRIBLE mother.
(Private Practice)
Violet Turner is a TERRIBLE therapist.
(Private Practice)
I will never tire of Never Been Kissed.
(movies)
Jake Pavelka has terrible taste in women.
(The Bachelor)
Margene Henrikson might just be the most sympathetic character in the world.
(Big Love)
John Krasinski and Luke MacFarlane were both in Kinsey? Weird.
(movies)
Lee Pace and Ginnifer Goodwin are both in A Single Man. Amazing.
(movies)
The Piemaker, GOB and Veronica Mars slum it in When In Rome. Danny DeVito right at home.
(movies)
Derek did the right thing.
(Grey's Anatomy)
A Single Man should have been nominated for an Oscar for best picture and best director.
(movies)
Thank God Matt's gone. Bring back Henry.
(Ugly Betty)
Long live Michael Urie, Marc Indelicato, Becki Newton and their fictional counterparts.
(Ugly Betty)
This week's One Tree Hill was very, VERY badly written.
(badness)
Community remains one of the best half hours of my week.
(goodness)
Leonard Hofstadter is a selfish friend.
(Big Bang Theory)
Penny is not.
(Big Bang Theory)
Vanessa Lengies on TV again!
(Accidentally on Purpose)
Farrell, a surprise delight in Crazy Heart. Gyllenhaal and Bridges, predictable delights.
(movies)
I am Ellie. Tim is Jules. Show is fantastic.
(Cougartown)
Seth Aaron for the win!
(Project Runway)
I am very, very tired of vampires and wish they would just go away.
(life)
I am very pro Ella, very anti Riley and hoping Lauren gets killed off.
(Melrose Place)
Allison Janney and Matthew Perry to co-star in an upcoming ABC show. WIN.
(news)
and
Alternate realities? WTF?!?!? Darlton I love/hate you.
(Lost)
Wednesday, December 30, 2009
Year In Review: This Year In Movies

INTERESTING TREND NUMBER TWO: I saw practically no "serious" movies. I'm going to try and catch up on a few of the more prestigious films of the year (Up in the Air, The Hurt Locker) over the next couple of days, but my movie watching has been fairly limited to the things I thought I would enjoy, rather than movies that I thought were "good" for me. This means that I'm missing quite a few of the movies that seem to be swarming onto most people's best of 2009 lists, but that's okay. It also, I think, makes my list a lot more fun to read, because instead of discussions of apartheid, we get conversations about zombies being beaten with metal bats.

That's, for the record, how I read (500) Days of Summer. It's a testament to the lovelorn and pathetic. Joseph Gordon Levitt is at his loveable best playing the boy who "misread the Graduate" and took all his ideas about love from the movies. And Zooey Deschanel rescues a character that could, in a less adept actress's hands, seemed pretty repugnant. The story of the rise and fall of their relationship is painful, adorable, and semi-realistic, but above all its entertaining. (500) Days never really tells us something radically new about relationships; it doesn't need to. Like any good romantic comedy, it makes us buy into these characters and wish them happiness. In the end, it has us wishing them happiness even if not with each other. add to that the ridiculous fantasy sequences (especially that one set to Hall & Oats "You Make My Dreams Come True") and you've got the makings of semi-independent sleeper classic.

9. Avatar- it's a uniquely painful job trying to separate Avatar from the hype that surrounds it. The arguments on both sides of the debate ("it's an overblown, effects-heavy piece of sentimental crap!", "It's the greatest movie ever created!") can seem ridiculous and heavy handed, and having only seen the movie once (and recently) I'm finding it hard to separate out what I think about the movie from what I'm being told to think about the movie. So here's what I know: Avatar was a moving two hours and forty minutes that managed to completely suck me into a movie where the main inhabitants are naked blue guys who have braided pony tails that can connect with horses. That's quite the achievement. Not only did the two hours and forty minutes that I spent with Avatar fly by, it was also such a visual wonderland that I could spend decades wrapped up in the imagery. Some of the more negative reviews have argued that if you take away all the special effects wizardry from Avatar you're left with nothing. Maybe that's fair enough, but you absolutely can NOT divorce Avatar from the visual. What's so amazing about Avatar is the way that Pandora (its alien landscape and setting for 95% of the movie) is the most fully realized, visually stunning and totally immersive world to ever have been created for the big screen. It's at once endless and painfully intricately described. While I'm not willing to say that James Cameron's 250 million dollar passion project has changed movies forever, I do think it has expanded what we can and should do with the new technology coming our way faster than you can say "obsolete." Cameron's joy in movie making, his twelve-year-old-boy glee at finding the newest and best toy to create pictures, is infectious, and the movie he created is a testament to the power of cinema. *




5. Zombieland- Zombieland is fun. It's well written. It's ridiculous. It features a Woody Harrelson performance so zany bat shit perfect that it rivals anything the man's done before. It also features a balls-to-the-walls ending at an amusement park that's a great bookend for the other big Jesse Eisenberg vehicle of the year (Adventureland). Emma Stone and Abigail Breslin are perfect as bad-ass girl con artists teetering on the brink of despair, Eisenberg is affably neurotic as a loner whose survival has been greatly increased due to the fact that he didn't particularly like people before they started trying to eat his face, but this movie belongs to Harrelson in his gun-toting, zombie-smashing glory. And that's as it should be.

4. The Fantastic Mr. Fox- George Clooney as a sly, fast-talking fox who longs for the good old days when he was a master thief? No, that's not a metaphorical take on Ocean's 11, that's the plot of Wes Anderson's newest, gleeful masterpiece. The movie is a lot like Anderson's other films, and yet the new format, great source material, and truly exceptional voice work by the likes of Clooney, Meryl Streep and Anderson regular Jason Schwartzman help to elevate so far beyond what could have been expected in the first place. It's a great character study of a man trying (and failing) to overcome the wild animal in his heart, and it's also a fantastic children's movie that features ridiculous feats of strength and a character who spends the entire denouement of the movie in his underwear. What the cuss indeed.

3. Star Trek- It's hard to reboot a franchise. Fans get pissed, newbies get confused, and after boffo opening weekend numbers, that viewers tend to trickle out of the theater. And yet J.J. Abrams and the whole cast and crew of Star Trek made success look easy, like it was a foregone conclusion from the moment Zachary Quinto figured out how to cock one eyebrow. In the process, they made a movie that was at once true to (and almost reverent of) its source material while being easily, beautifully accessible to a new generation. Plus, it's a damn fine movie, filled with an arrogant ease and sense of fun that made it the perfect summer movie. Every actor was well cast, every one liner well crafted- Star Trek may not have the deep pathos to be this summer's The Dark Knight, but it was easily this year's Iron Man, a movie so fun and perfectly done that it soars to cinematic heights without ever feeling burdened by a dour profundity.

2. Inglorious Basterds - I first stumbled upon Quentin Tarantino's misspelled masterpiece while working as an intern at a video production company. It was a 300+ page opus, full of ridiculous violence, kick ass female heroines, and soaring emotions. Even in screenplay format, I could tell that Inglorious Basterds was going to make for an amazing movie. But Tarantino went above and beyond even my imagination, finding the perfect cast (both unknown, and most-well-known-in-the-world) and his usual penchant for masterfully blending his own unique vision with an encyclopedic knowledge of films past. But Basterds goes even further than Tarantino's earlier work, and achieves something damn near cathartic. It's a clear cut, often hilarious, bloody revisionist history of World War II (which is, by far, the war most over-covered by movies) that is at turns stomach-churning and emotionally satisfying. When Soshana's final revenge plays out in firey theaterics, its as much a testament to the power of moviemaking as it is to Tarantino's well established lust for kickass female heroines. A movie this bloody and violent may never be exactly mainstream, but Tarantino has certainly elevated his particular brand of arthouse fare to a simultaneous normality and grandeur that can not be copied. In other words, this movie rocked.

Wednesday, October 14, 2009
Actor Obsession: Matthew Rhys

Though most of his film credits have gone unseen by the My TV team, Rhys' work in Julie Taymor's controversial 1999 interpretation of Shakespeare's Titus was startling when Tim and I first saw the film a couple weeks ago.

So with a solid line of credits, international appeal and one of TV's most engaging characters as a day job, the only question that remains is: where is this guy's Emmy?
Monday, October 05, 2009
Dead Poets Society Makes a Comeback

Tonight's How I Met Your Mother paid tribute to the great coming of age movie Dead Poets Society. With Barney's gesture of standing on his desk and addressing Ted as "captain my captain", How I Met Your Mother made up for the merciless (and hilarious) mocking that the same film had endured on Thursday. Last week's Community also referenced the classic movie, but rather than paying homage to its charms, it mocked its absurdities, to great effect. The impracticality of ripping up textbooks, the danger in standing on a desk and the sheer pointlessness of the phrase "seize the day" all became clear as Joel McHale and Co. took a class with a teacher who was "convinced he's in Dead Poets Society" and assigned homework like the task of telling 10 people you love them. With references in two of the funniest shows on TV, this decades old film is clearly making a comeback, as an inspirational tale and a campy icon worthy of satire.
Thursday, August 13, 2009
Obsessions of the Week: August 13th


Julie & Julia- yum. The whole movie was a million calories of happy. AND I learned the proper way to brown a mushroom.




And finally,






Saturday, August 01, 2009
Obsession of Right Now

A good old-fashioned baseball movie from the early 90s that features all sorts of wonderful television stars: including The West Wing's Tim Busfield (Danny), Gilmore Girls' Scott Patterson (Luke) and Samantha Who's Kevin Dunn (Howard aka Sam's dad).
Hey, if my team's not doing well I have to have someone to root for right? Hence Little Big League, Angels in the Outfield and A League of Their Own. And, if all else fails, root for the Rays.
Sunday, July 26, 2009
Actor Obsession: Joseph Gordon-Levitt



Joseph Gordon-Levitt is not only the incomparably engaging (and beautifully dimpled) star of my new favourite movie of the summer (500 Days of Summer) but he is also the star of my favourite sports movie of all time (Angels in the Outfield) and my favourite teen movie of all time (10 Things I Hate About You). Oh, and he was on a little show called 3rd Rock From the Sun, you may have heard of it.


(500 Days of Summer kudos also to Zoey Deschanel for brilliantly conquering a very tricky role, to screenwriters Scott Neustadter and Michael H. Webber for a lovely and fresh story that was quirky but not annoyingly-so, and to director Marc Webb for brilliant visuals, great pacing and the casting of lovely TV ladies Rachel Boston and Minka Kelly. See this movie- it's lovely).
Thursday, July 23, 2009
Must Say More: Obsessions 2.0





Monday, July 13, 2009
My Favourite Things

Saturday, June 27, 2009
Girly Rant
Which got me thinking of other best buddy pairs throughout time. Butch Cassidy and the Sundance Kid. Jason Segel and Paul Rudd. Turk and JD. Ted and Marshall (or, alternately, Ted and Barney or Barney and Marshall). Ben Affleck and Matt Damon. Gus and Sean. Lennon and McCartney. Pretty much every buddy cop movie of all time. Michael Cera and Jonah Hill. Buzz and Woody. Hiro and Ando. Hell, I just finished the series of Rome, and Vorenus and Pullo were the ultimate, toga-clad bromance. These are friendships so deep that one would die for the other, kill for the other, and give up for the other (in Rome, they do all three!). They are world rocking friendships that go deeper than mere romantic love. They propel their personal stories, provide motivation for the men involved, and help the stories themselves to reach appropriately elevated levels of gravitas.
They're also, you may well notice, all guys. Truly epic friendship on the level of Kirk and Spock is almost exclusively the purview of guys. Once I started thinking about this, I realized that, forget about the epic part, examples of true female friendship were actually harder than you would expect to come up. I can't think of a single television show of note that doesn't feature at least one strong male friendship. Not so for female characters. More often than not, female characters within television and movies are defined almost entirely by their relationship to the male characters in their lives. Sometimes this means epic friendships involving girls are with a male compatriot (see: Wallace and Veronica, Willow and Xander, Zoe and Mal), but more often than not it means that the single important relationship in a female character's life is a romantic one. Notice I didn't even say "single most important relationship;" far too often, there simply doesn't exist any relationship between female characters.
Where there are epic, life changing, boundary crossing, no-limits inter-female relationships, they're almost exclusively limited to between family members. I can think of very few relationships in this world to threaten the supremacy of Lorelai and Rory, but that's mother/daughter and the cultural zeitgeist certainly has no problems imagining women as mother. Similarly, the all chick extravaganza of Charmed was formed entirely around the relationships between the three main women, but this was all sisters. On Heroes, Angela Petrelli and Claire Bennet probably have the closest to a good relationship, but that's all about the grandmotherly concern.
I don't mean to whine, although I do think it's ridiculous that female friendships are so often pushed to the side in writing (and more often than not it's just plain lazy. Where there are female friendships, one tends to be an annoying sidekick character and conversations are almost exclusively an excuse for one girl to spell out her feelings about a guy). What I'd rather do is celebrate those strong female friendships that do exist and can rival that of Kirk and Spock, and ask all of you guys to do the same. In compiling my list, I couldn't come up with a single friendship that I was able to list without a caveat, but maybe you'll be more successful. After the list, I provided my judging criteria, so before you add your own thoughts in the comment section, check there to see if I disqualified it for one reason or another.





For the record, I've got nothing against guy love. In fact, if anything, I like it a little too much. Give me a good story about two interesting dudes who like nothing more than each other's company, and I'm a happy girl. I'm just saying it'd be cool if we could get equal girl love.
Judging Criteria:
- Epic. Legendary. Adventure-having. (in other words, not just the person our female protagonist bitches to. For a true Epic Kirk/Spock level friendship, both girls have to be awesome/interesting in their own right and the plot of the show has to be at least partially motivated around their relationship, not just around their support of each other when other things fall apart). They have to be willing to move mountains, not to mention inconvenience themselves for each other, and ultimately, it has to feel like this platonic friendship is at least as important to each of them as is true love (I was going to say more important, but since I believe Marshal and Ted are totally epic, and Marshall definitely loves Lily as much as he loves Ted, it had to be amended).
- True friendship. This kind of goes along with epic, but the friendship has to be more than bitching about guys, or supporting each other about guys. It has to legitimately feel like these girls have interests in common and a friendship that has its own demands, needs, and, most of all, fun.
- Post-high school. This one was a little more dicey, but since I think children's television is actually much better at having girl friends than adult television, but that said friendships don't reach the emotional pathos of adult male friendships, the line between the two became too dicey.
- Not family members. It's not revolutionary to show a woman's ability to relate to her family members. In fact, in "the family" is a very comfortable place for society to put women. So, sorry Gilmore Girls, but I've got to take a pass.
- Not "groups." Although still relatively rare, female groups of friends (gaggles, if you will) are occasionally presented on television, and are even occasionally very, very strong. But Kirk and Spock exist outside of the crew of the starship Enterprise, and Woody and Buzz have a friendship way stronger than those with the rest of the toys. The thing that is remarkable about these friendships isn't just that they are so close; it's the exclusivity of it. This means that although I actually think the very best thing about Sex and the City is the fact that these womens were friends through thick and thin (and that this is actually one of the better portrayals of female friendship in television and film history) and that their friendships were equally important to the plot of the show as was their relationships with guys, I couldn't include Carrie and... anyone on the list.
- Modern. It's not that I don't think Lucy and Ethel were good friends, it's just that I didn't really feel qualified to talk about them. Plus, I was more interested in the state of current popular culture than earlier culture.