Showing posts with label Movie Thoughts. Show all posts
Showing posts with label Movie Thoughts. Show all posts

Tuesday, February 22, 2011

Actor Obsession: Kyle MacLachlan

The Twin Peaks star's presence can make almost any film or TV show better. Since his iconic show went off the air in 1991, MacLachlan has mostly filled the role of "that guy who's in everything", creating some of the most memorable television roles in recent history.

His was one of my favourite long term romance stories on Sex and the City. As Trey, Charlotte's first husband, MacLachlan was Mr. Perfect. With that comically perfect hair, impossibly chiseled jaw and classic movie star voice, MacLachlan reads as that guy that Charlotte knows from fairy tales. Add that Trey was a rich doctor from a good family and Charlotte's found the perfect man she's been holding out for, the one she wants. Add a little erectile dysfunction, some serious mom issues and general emotional ineptitude and Trey is everything Charlotte doesn't need. That was what was so great about it. Trey was everything she was looking for and was one of the biggest let downs in her 6 season run. Harry, on the other hand (husband number 2), wasn't anything like what she wanted, he was nothing like the perfect Trey, so he ended up being perfect for Charlotte. Kyle MacLachlan was the key to that dichotomy in Trey. His particular brand of off-kilter perfection told us everything we needed to know about Charlotte.

Then there's the brilliant Orson Hodge. Bree's dentist husband on Desperate Housewives was simultaneously creepy and disarming, trustworthy and malicious, sympathetic and psychopathic, abused and abusive. And MacLachlan managed to play all those things in a single shot. Over 6 seasons we learned a lot about Orson and understood almost nothing about him, except whatever MacLachlan decided to give the camera that week... and with Orson, that could have been anything.

Finally, this week's How I Met Your Mother capped his wonderful arc as The Captain, Zoe's ex-husband and Ted's feared "friend". MacLachlan played The Captain with a lot of sympathy and humanity, as a lonely guy desperate for love, friendship and someone to share his boat with. Use that bizarrely handsome, threateningly regal thing the actor has going for him and filter the character that through Ted's self-centered, romantic and overly dramatic eyes and The Captain is a threatening nemesis who is likely to kill Ted for stealing his woman.  It was pretty brilliant, and no one could have pulled off that part better than Kyle MacLachlan.

Top it all off with his fantastically controlled performance as Claudius in Michael Almereyda's crazy, modern Hamlet film and MacLachlan is officially one of my favourite actors in the business.

Friday, January 14, 2011

Exclusive Interview: Zaib Shaikh

Little Mosque on the Prairie, now in its 5th season on CBC, is possibly Canada's best-known sitcom at the moment. It's leading man is Zaib Shaikh, a charming multi-hyphenate dedicated to the Canadian performing arts landscape. 

The actor-producer-writer-director got his start in the theatre before being cast as Amaar, a forward-thinking Imam who trades his Toronto life as a lawyer for religious life in small town Saskatchewan. 

Taking a page out of Amaar's passion and generosity philosophy, Zaib is spending his time off-set working with his production company Governor Films to develop new Canadian content and create jobs for dedicated artists getting their start in the industry. 

He took some time off from guest hosting Q on CBC Radio to speak with me about the new season of Little Mosque, his award-winning Othello, Governor Films and why Canada is so important to him.

Click Here to read the full interview

Sunday, January 09, 2011

TV Stars in The Movies

The holiday movie rush has produced some truly excellent and some disappointing fare. But one thing has remained true: TV stars are really bringing it to the big screen this season. Click on the movie titles to read reviews from our sister site My Cinema.

First there's the rush of TV faces who play a crowd at a dinner party and make up the brief but best part of Fair Game. Current TV superstar (and longtime My TV favourite, from way before Modern Family) Ty Burrell is there alongside beloved character actors from past TV seasons like FRIENDS' Susan (Jessica Hecht) and Grey's Anatomy's Erica Hahn (Brooke Smith). Fantastic Broadway player Norbert Leo Butz formerly of ABC's short-lived The Deep End also joins them for dinner.


Grey's Anatomy's Sandra Oh livens up a dreary adaptation of Rabbit Hole, as she does for anything she's in, former Joan of Arcadia star Amber Tamblyn, Everwood's Treat Williams, Lizzy Caplan from Party Down/The Class and Gossip Girl's Clemence Poesy fill the limited supporting roles in James Franco (Freaks & Geeks/ General Hospital)'s tour de force 127 Hours. and That 70's Show's Mila Kunis continues her rise to film stardom with an impressive and My Cinema Award (among other awards)- nominated supporting performance in Black Swan

Gossip Girl's best actress Leighton Meester gives the performance of her career so far in Country Strong as a beauty queen-turned-country singer on tour with her idol. Meester delivers excellent vocals and a compelling performance as the surprisingly multi-faceted Chiles Stanton.

And then there's Burlesque. The musical is absolutely packed with TV stars delivering excellent performances. Grey's Anatomy's Eric Dane plays a slick real-estate tycoon and Veronica Mars herself Kristin Bell plays the star of the burlesque show, showing off that Tisch musical theatre degree that so many people forget about. David Walton (100 Questions/Perfect Couples) and Dianna Agron (Glee) put in fantastic turns in tiny but important parts, and pros of the reality dance world Julianne Hough (Dancing with the Stars) and Chelsea Traille (So You Think You Can Dance) hold down the burlesque chorus. Perhaps the best TV star performances come from former OC stars Peter Gallagher and Cam Gigandet. Gallagher, always reliably excellent, plays Cher's ex-husband and co-club owner. Gigandet, remembered fondly as the guy who killed Marissa, nails the easily-fumbled role of Christina Aguilera's unavailable love interest with easy charm and sincerity.

If you're going to the movies this month, you're bound to see some truly excellent film actors. But don't forget where a lot of them find their home- TV.

Wednesday, June 30, 2010

Fat Shows, the biggest problem since Skinny Shows

This week was the premiere of a new ABC family show called Huge. It's basically an hour each week in which rebellious Will (you know she's a rebel because she's got blue hair) obnoxiously fights against losing weight at fat camp. Oh boy. I cannot wait. The premiere alone was chock a block full of nasty stereotypes, whether it wanted to be or not. At some point someone in Hollywood's gonna realize that being fat doesn't mean you worship food, right? Somebody's got to realize that eventually because if I see one more sequence in which someone describes a chocolate milkshake in such detail that they begins to moan I'm gonna lose it. If I see one more character willing to get kicked out of camp for a chocolate bar I'm gonna scream. And the next time someone says "it's hard being without my favourite foods" I'm going to declare war on this show full of unrealistic fat people invented in the minds of skinny ones.  

Huge is pulling from 2 sides: it wants Will to just give in and try to "change her life" as Gina Torres' fatcamp director character (with secrets!) urges, but it also needs Will there to spout the standard after school special "why should I have to change to meet your standards?... there's more to the world than looks" lines. Neither side is very endearing. Someone thinking fat camp is stupid is not the same thing as, what did Torres' character call it? Oh yeah, "risking your life rather than changing it". But Will doesn't stand for anything. She has no reason to fight against the camp. She's just being rebellious for rebellion's sake. Well that's pretty stupid. Every character in Huge is defined by their body. There are the skinny ones who are obsessed with being skinny. There are the fat ones who are obsessed with being skinny. And then there's Will, who needs her fat because it gives her some sort of outsider edge. She's rebelling against the mainstream by refusing to look like their ideal. Aren't there better ways to rebel against the mainstream? Why would you actively try to gain weight? I understand not actively trying to lose it, that takes a lot of time and energy that could just as easily be spent on more interesting things. But to actively fight against it, that makes you as boring as the people who spend all their time counting calories- you're counting too, just in the other direction.

It seems to me that TV right now is obsessed with weight. Top Chef just did a challenge designed around childhood obesity. The newest in the string of dance shows is called Dance Your Ass Off. Last year they made The Bachelor for Fat People (it's unofficial title). There's a sitcom slated for the fall about people who meet at Overeaters Anonymous. For crying out loud, The Biggest Loser got it's own spinoff!

For awhile there I thought Glee might have the right idea; Mercedes, an overweight teen, was the reigning diva of the school and pretty darn self assured. Then came the episode when a cheerleading uniform managed to unseat every shred of self worth Ms. Divarific had and she had to be set straight by little pregnant angel Quinn. And then they sang Christina Aguilera, because why wouldn't they? After finding that episode personally offensive I pretty much gave up on Glee ever having the right idea.

Drop Dead Diva's on the right track when dealing with the issue of fatness. There's a whole episode about not being afraid of the word fat. About accepting that the average woman in America does not look like a TV character. About treating people equally. That's definitely the right idea, that's how it should go. Don't be afraid of the word fat but don't worship it either. "Fat" to me is about as interesting as "tall" or "blue-eyed" or "brunette", but for some reason it matters more to everyone else. Even the Fat Shows (yes, that's what I'm calling them), Diva aside, which are, in theory, helping to move the nation in the right direction in terms of standards of beauty and treatment of others, are doing nothing more or less than making it a big deal. Again. Even more. How is that helpful?

Gilmore Girls married off Sookie (Melissa McCarthy's overweight character) to a charming, average guy named Jackson. I say average and I don't mean average in the sense of everyone else is a TV hunk and he's an average Joe, I mean average, like standard in the world of Stars Hollow, like what average actually means. Sookie's weight wasn't a big deal, it was about as interesting as her height or her eye colour or (and here's another thing I think should be handled similarly) her race. Why shouldn't Jackson fall in love with Sookie? Sookie's awesome. Last season on 90210 Navid started dating a girl who was a bit larger than average (aka severly chubby by 90210 standards) but very pretty. Absolutely nothing was made of it. She was a real threat to Adriana, a real love interest to Navid and a character with many more interesting things about her than her weight. I know, 90210, who'da thunk, but it showed real progress.

Huge is a step backwards. A big step backwards. Maybe that's what the title means, "we're taking a HUGE step backwards". Otherwise it's pretty much just a tasteless title.  Star Nikki Blonsky (Will) had her big Hollywood breakthrough in Hairspray, a role so anti-huge I can't even believe it. Tracy Turnblad has nothing in common with Will. Will wants to stand on the outside and shout at those on the in, take anything she can get to make her different (read: superior for being different) whether it's her weight or her hair and fly it as a flag that stands for nothing. All Tracy wanted was to get to join the party; she thought everyone should be invited. She wasn't going to lose weight to get in, she wouldn't even change her hairdo when it got her put in detention. She was fine just the way she was, but Tracy also thought everyone else was fine, no matter how skinny, fat, tall, short, black or white they were. She assumed Link would fall in love with her because her weight's not nearly as important as her other qualities, and he did, because those other qualities were pretty great "no matter what [she] weighs". TV needs to get over the fact that the issue of fat is anything huge (forgive the terrible pun). Fat needs to be an adjective that carries about as much weight as all the other ones. I'd like to see TV characters who get to be nouns, not adjectives.

Let's have people who look like people and treat them as such. Let's have tall people AND short people, people with straight hair AND with curls; let's have white people, black people, asian people, hispanic people, people with freckles, people with moles, redheads, brunettes, blonds, skinny people, fat people and all the people in between. Let's have them all, and let that be okay.

Sunday, June 13, 2010

Canada's Got More Hits

CBC has officially put a third show on my radar (the others being Little Mosque on the Prairie and Being Erica). The charming sitcom 18 to Life is not exactly ground breaking but it is incredibly sweet. As the central 18-year-old married couple, Jessie and Tom are fun characters with excellent chemistry. Jessie is played by yet another Degrassi alum (seriously, how many of those kids are there?!), Stacey Farber, while oldschool YTV fans get a blast from the past when they realize that Tom (Michael Seater) is Spencer from The Zack Files all grown up. The cast in general is really great including 2 interesting friends, 2 fun siblings and 4 eclectic (read: scene stealing) parents (Slings & Arrows fans will recognize Jessie's hilarious dad, Peter Keleghan, as the morally questionable bottled water businessman who taunted Richard regularly).

Another great surprise in the cast is a number of familiar faces from my newest favourite Canadian movie, The Trotsky. The lively and painfully clever film (WHICH YOU SHOULD ALL GO SEE!) was set and filmed in Montreal, just like 18 to Life. Whether it's purely coincidental or not, the two share quite a few actors, including the awesome Kaniehetiio Horn, who is one of my new favourite people to watch. The pilot also starred Tommie- Amber Pirie as Jessie and Tom's friend Ava but she was mysteriously replaced by Erin Agostino for the series run, she is dearly missed. Their other friend, Carter, is played by Jesse Rath, the target of The Trotsky's best line: "are you my Stalin, Dwight?"

With yet another recent TV hit, an awesome new movie (starring Jay Baruchel and Colm Feore, home-grown Canadian boys with cross-border appeal) and one of our best writers (Rob Sheridan) inking a deal with Warner Brothers to develop a comedy script for the American market, the Canadian industry is on the rise. Support it by checking out 18 to Life and going to see The Trotsky, you won't regret it.

Tuesday, May 18, 2010

Mr. Romantic is at it again.

And what does Mr. Romantic deserve as the perfect accompaniment to his grand gesture of the week (in some wonderfully timed, self-referential scenes)?

A little Love Actually of course.

In this week's romantic comedy-skewering yet still knowingly cheesy How I Met Your Mother, Ted Mosby got the perfect backup: the beautiful (and easily identifiable) score from one of the most famous romantic comedies of the decade.

Marshall's tiny B story was fun, Robin's "also, a bit cheesy" one liners were great and the whole baggage metaphor was really pretty sweet. Oh, and Judy Greer: always fantastic.

Wednesday, March 24, 2010

Obsessions of March 23, 2010

My Theatre: My TV's new sister site, My Theatre premiered recently with reviews of Toronto's new hit My Mother's Lesbian Jewish Wiccan Wedding, a Conneticut Repertory Theatre Comedy of Errors and the national touring production of The Lion King. You'll also find a link to Jude Law's wonderful Hamlet-themed SNL monologue and a first-hand account of life as an actor charged with villainy from contributing author Jim Melo. Check in regularly for more from the world of theatre as the "My Entertainment World" family grows. www.mytheatreblog.ca


The return of United States of Tara: my second favourite Showtime show is back on the air (second only to the incomparable Dexter). Emmy winner Toni Collette returns in her powerhouse title role with all the wonderful supporting cast that made season one of Diablo Cody's heartfelt dramedy so memorable. This week's premiere episode has already started the season off in a promising direction.

Boston Rob: he was my favourite going in and has only risen in my estimation since the premiere of Heroes vs. Villains. Clearly the leader of his tribe, this Survivor veteran is too in control too early in the game to likely make it to the end but every week that he stays will be another week I love this season of Survivor (a show I have not watched faithfully since Rob's last appearance in the original All-Stars season).

Rowley: I'm not saying you should actually go see Diary of a Wimpy Kid, it's really just an ok movie at best. But if you do and come out of it not loving a kid named Rowley, something's wrong with you. Also, it needs to be said, Greg Heffley might be the worst role model I have ever seen on screen (then again, I've never seen a Miley Cyrus movie). 

The Amazing Race Cowboys: these charismatic sweethearts have proven themselves to be front-runners in an excellent season of the race. Surprisingly smart, daring as hell, cooperative, competitive and determined, Jet and Cord have everything they need to win the race (including the always helpful sibling relationship, a common race-winner).

Drop Dead Diva season one: I've been re-watching the show on my wonderful screener DVDs from Lifetime and am loving it now as much as (if not more than) I did the first time around.  It's even greater when you know the story of the show's creation. Read my interview with creator Josh Berman for the full scoop on the size 16 who carries herself like a supermodel. Season two premieres in June on Lifetime.

The Liam Triangle: Naomi is hands down the most interesting character on the new 90210 (though both Adrianna and Silver are plenty entertaining) and I'm usually rooting for her, but I think I may be on team Ivy in this one. Sure before the whole Jen thing Naomi and the incredibly hot Liam were perfect for one another but lately I really think that what the broody boy needs is a nice low-key surfer chick who just gets him.

The Actor's Shakespeare Project's Othello: Boston's premiere Shakespeare troupe conquered one of the bard's toughest tragedies with ease and artistry. Though Othello was outmatched by his cast mates (though cursed with an unsympathetically stupid character from the get go), Desdemona was breathtaking, Emilia heartrending and Iago thrilling.

Michael Imperioli: as I make my way through my Sopranos box set I find myself liking his character of Christopher more every episode. He quickly became the highlight of the series for me.


Bradley Whitford on The Sarah Silverman Program: I love to see my beloved Josh Lyman anywhere but the absurdity of him as a guest star on one of TV's oddest programs made me giggle delightedly.


Season 4 of Big Love: I know I never actually wrote about it (the fact that I missed the finale playing a definite part there) but I just want you to know that I loved this season every bit as much as its predecessors. Amy Acker is right, Big Love is the best thing out there.

Tuesday, February 09, 2010

Things That Need To Be Said


Rabbits are, in fact, much better than Ducks. Unless those Ducks be Mighty.
(How I Met Your Mother)

Naomi Bennett is a TERRIBLE mother.
(Private Practice)

Violet Turner is a TERRIBLE therapist.
(Private Practice)

I will never tire of Never Been Kissed.
(movies)

Jake Pavelka has terrible taste in women.
(The Bachelor)

Margene Henrikson might just be the most sympathetic character in the world.
(Big Love)

John Krasinski and Luke MacFarlane were both in Kinsey? Weird.
(movies)

Lee Pace and Ginnifer Goodwin are both in A Single Man. Amazing.
(movies)

The Piemaker, GOB and Veronica Mars slum it in When In Rome. Danny DeVito right at home.
(movies)

Derek did the right thing.
(Grey's Anatomy)

A Single Man should have been nominated for an Oscar for best picture and best director.
(movies)

Thank God Matt's gone. Bring back Henry.
(Ugly Betty)

Long live Michael Urie, Marc Indelicato, Becki Newton and their fictional counterparts.
(Ugly Betty)

This week's One Tree Hill was very, VERY badly written.
(badness)

Community remains one of the best half hours of my week.
(goodness)

Leonard Hofstadter is a selfish friend.
(Big Bang Theory)

Penny is not.
(Big Bang Theory)

Vanessa Lengies on TV again!
(Accidentally on Purpose)

Farrell, a surprise delight in Crazy Heart. Gyllenhaal and Bridges, predictable delights.
(movies)

I am Ellie. Tim is Jules. Show is fantastic.
(Cougartown)

Seth Aaron for the win!
(Project Runway)

I am very, very tired of vampires and wish they would just go away.
(life)

I am very pro Ella, very anti Riley and hoping Lauren gets killed off.
(Melrose Place)

Allison Janney and Matthew Perry to co-star in an upcoming ABC show. WIN.
(news)

and

Alternate realities? WTF?!?!? Darlton I love/hate you.
(Lost)

Wednesday, December 30, 2009

Year In Review: This Year In Movies



Up until about four months ago, I kept a (fairly up-to-date) movie blog over at "I Watch Movies and Then Talk About Them." When I graduated college, and found that real life was limiting my ability to add anything worth adding to the conversatons about movies floating along the internet, I hung up my blogging hat, and even here only occasionally threw my five cents (inflation!) into the popular culture conversation. But I have remained, and will always remain, an enthusiast for all things popular and cultural, and as the new year comes into clearer view, I find myself drawn to reflect on a year that was, I believe, a very good one for movies, if not in the obvious ways of some years past.

So here it goes, my not-at-all-exhaustive list of the best movies of a year that saw my lowest consumption of movies since the age of 12. Feel free to add your voice to the mix to praise movies that I missed out on or to criticize the movies I've overpraised.

Interesting Trend: While compiling my list, I was overwhelmed by the number of movies that made my list that were ostensibly aimed at children. Either this is a disturbing indicator of my lack of maturity, or a sign that this year was a golden one for the younger set remains to be seen.

INTERESTING TREND NUMBER TWO: I saw practically no "serious" movies. I'm going to try and catch up on a few of the more prestigious films of the year (Up in the Air, The Hurt Locker) over the next couple of days, but my movie watching has been fairly limited to the things I thought I would enjoy, rather than movies that I thought were "good" for me. This means that I'm missing quite a few of the movies that seem to be swarming onto most people's best of 2009 lists, but that's okay. It also, I think, makes my list a lot more fun to read, because instead of discussions of apartheid, we get conversations about zombies being beaten with metal bats.

10. (500) Days of Summer- This could be the most joyful break up movie ever made. When I was in Freshmen Screenwriting, I wrote a script about a boy who falls ridiculously in love with a girl who never quite returns his feelings. We watch him go through the process of getting over her, until finally it all sums up in a big cathartic moment where he realizes everything that went wrong in the relationship and in himself and with the girl. And just when we think he's had his big moment of self-actualization, the final scene leaves us with the impression its all about to happen again.


That's, for the record, how I read (500) Days of Summer. It's a testament to the lovelorn and pathetic. Joseph Gordon Levitt is at his loveable best playing the boy who "misread the Graduate" and took all his ideas about love from the movies. And Zooey Deschanel rescues a character that could, in a less adept actress's hands, seemed pretty repugnant. The story of the rise and fall of their relationship is painful, adorable, and semi-realistic, but above all its entertaining. (500) Days never really tells us something radically new about relationships; it doesn't need to. Like any good romantic comedy, it makes us buy into these characters and wish them happiness. In the end, it has us wishing them happiness even if not with each other. add to that the ridiculous fantasy sequences (especially that one set to Hall & Oats "You Make My Dreams Come True") and you've got the makings of semi-independent sleeper classic.

9. Avatar- it's a uniquely painful job trying to separate Avatar from the hype that surrounds it. The arguments on both sides of the debate ("it's an overblown, effects-heavy piece of sentimental crap!", "It's the greatest movie ever created!") can seem ridiculous and heavy handed, and having only seen the movie once (and recently) I'm finding it hard to separate out what I think about the movie from what I'm being told to think about the movie. So here's what I know: Avatar was a moving two hours and forty minutes that managed to completely suck me into a movie where the main inhabitants are naked blue guys who have braided pony tails that can connect with horses. That's quite the achievement. Not only did the two hours and forty minutes that I spent with Avatar fly by, it was also such a visual wonderland that I could spend decades wrapped up in the imagery. Some of the more negative reviews have argued that if you take away all the special effects wizardry from Avatar you're left with nothing. Maybe that's fair enough, but you absolutely can NOT divorce Avatar from the visual. What's so amazing about Avatar is the way that Pandora (its alien landscape and setting for 95% of the movie) is the most fully realized, visually stunning and totally immersive world to ever have been created for the big screen. It's at once endless and painfully intricately described. While I'm not willing to say that James Cameron's 250 million dollar passion project has changed movies forever, I do think it has expanded what we can and should do with the new technology coming our way faster than you can say "obsolete." Cameron's joy in movie making, his twelve-year-old-boy glee at finding the newest and best toy to create pictures, is infectious, and the movie he created is a testament to the power of cinema. *

8. Where the Wild Things Are- I like to think of Where the Wild Things are less as a movie, more of an emotional roller coaster. Although the movie does have a plot (rebellious Max travels to the land of the Wild things, is briefly their king, is shown as a fraud, and eventually goes back home), it's more interested in the emotions of the characters. The land that Max travels to is a land of rampaging ids without the norms of social niceties to interfere with say eating a false-king when he is revealed as such. It's a land of bruised emotions and bruised enemies, where the path to forgiveness and acceptance is fraught with physical perils. Somehow, Spike Jonze makes this metaphorical land seem like a magical and terrifying wonderland, and keeps you so deeply engrossed in the movie that the final cathartic moment feels every bit as heartbreaking and hopeful as childhood.

7. I Love You, Man- The most controversial member of this list (haha), I Love You, Man has stuck with me throughout a year that saw my beloved Apatow-esque genre begin to wane. If The Hangover is a sign of comedy to come (and don't get me wrong, I enjoyed The Hangover), then it means the end of sympathetic, sentimental gross out comedy like I Love You Man. Which is a shame, because this buddy comedy about two guys who are almost-this-close-to-being-normal-adult-men is about as funny and as heartfelt as they come, and features a truly endearing performance by Jason Segel (where it could have been a sleazy and annoying performance) and a surprising performance by Paul Rudd, showing us an adorably irony free candor as the man with no guy friends. Isn't it (ugh) bromantic, indeed.

6. Coraline- this movie scares the crap out of me. It makes me giggle. It makes me think. It makes me simultaneously nostalgic for the age of endless imagination and grateful that strange other-mothers no longer want me eyes. In other words, it's a perfect adaptation of Neil Gaiman's beautiful and terrifying short novel. It's also some of the best stop motion work of all time, with every inch of Coraline's world worthy of torrents of praise.


5. Zombieland- Zombieland is fun. It's well written. It's ridiculous. It features a Woody Harrelson performance so zany bat shit perfect that it rivals anything the man's done before. It also features a balls-to-the-walls ending at an amusement park that's a great bookend for the other big Jesse Eisenberg vehicle of the year (Adventureland). Emma Stone and Abigail Breslin are perfect as bad-ass girl con artists teetering on the brink of despair, Eisenberg is affably neurotic as a loner whose survival has been greatly increased due to the fact that he didn't particularly like people before they started trying to eat his face, but this movie belongs to Harrelson in his gun-toting, zombie-smashing glory. And that's as it should be.


4. The Fantastic Mr. Fox- George Clooney as a sly, fast-talking fox who longs for the good old days when he was a master thief? No, that's not a metaphorical take on Ocean's 11, that's the plot of Wes Anderson's newest, gleeful masterpiece. The movie is a lot like Anderson's other films, and yet the new format, great source material, and truly exceptional voice work by the likes of Clooney, Meryl Streep and Anderson regular Jason Schwartzman help to elevate so far beyond what could have been expected in the first place. It's a great character study of a man trying (and failing) to overcome the wild animal in his heart, and it's also a fantastic children's movie that features ridiculous feats of strength and a character who spends the entire denouement of the movie in his underwear. What the cuss indeed.

3. Star Trek- It's hard to reboot a franchise. Fans get pissed, newbies get confused, and after boffo opening weekend numbers, that viewers tend to trickle out of the theater. And yet J.J. Abrams and the whole cast and crew of Star Trek made success look easy, like it was a foregone conclusion from the moment Zachary Quinto figured out how to cock one eyebrow. In the process, they made a movie that was at once true to (and almost reverent of) its source material while being easily, beautifully accessible to a new generation. Plus, it's a damn fine movie, filled with an arrogant ease and sense of fun that made it the perfect summer movie. Every actor was well cast, every one liner well crafted- Star Trek may not have the deep pathos to be this summer's The Dark Knight, but it was easily this year's Iron Man, a movie so fun and perfectly done that it soars to cinematic heights without ever feeling burdened by a dour profundity.

2. Inglorious Basterds - I first stumbled upon Quentin Tarantino's misspelled masterpiece while working as an intern at a video production company. It was a 300+ page opus, full of ridiculous violence, kick ass female heroines, and soaring emotions. Even in screenplay format, I could tell that Inglorious Basterds was going to make for an amazing movie. But Tarantino went above and beyond even my imagination, finding the perfect cast (both unknown, and most-well-known-in-the-world) and his usual penchant for masterfully blending his own unique vision with an encyclopedic knowledge of films past. But Basterds goes even further than Tarantino's earlier work, and achieves something damn near cathartic. It's a clear cut, often hilarious, bloody revisionist history of World War II (which is, by far, the war most over-covered by movies) that is at turns stomach-churning and emotionally satisfying. When Soshana's final revenge plays out in firey theaterics, its as much a testament to the power of moviemaking as it is to Tarantino's well established lust for kickass female heroines. A movie this bloody and violent may never be exactly mainstream, but Tarantino has certainly elevated his particular brand of arthouse fare to a simultaneous normality and grandeur that can not be copied. In other words, this movie rocked.

1. Up- I understand much better why the Academy Awards has decided to create an entire category for animated movies, even though I think it ultimately disparages the true value of these films. But when I set about compiling this list, I found it nigh impossible to figure out where the emotional magic of seeing a Pixar movie ended and my film critic mind could take over. "Really?" I asked myself. "A Pixar movie winning the best of the year two years in a row? I might as well be honest and name my best of list 'Rachael Ranks Other Movies As Less Awesome than Whatever Pixar Puts Out.'" But the thing is, I truly believe in the power of Up. It's this gorgeous, terse, goofy and imaginative love letter to love, in all its forms. It's about hope in the least likely places, joy in the smallest things, and redemption at the point when we need it the most. Every inch of Up creates in me a profound sense of joy that permeates the entire motion picture. It's in the smallest things (the way the dogs' butts wiggle when they're exited, the fact that they refer to Russel as "the small mailman") and the biggest things (the gorgeously realized Pixar landscapes, the beautiful, profound and heartbreaking first fifteen minutes. I said it best right after first seeing Up, when I immediately knew that I had just experienced something magical in that theater, and so I direct you back to my first, longer, more immediate review:http://rn4-8-7.livejournal.com/tag/up/

HONORABLE MENTIONS: I really enjoyed Sherlock Holmes when I saw it Christmas Day, and was greatly impressed by the melding of Guy Ritchie's pop-violent pastiche with the intellectual mastery of the Holmes story, but it's too fresh in my mind to know if Sherlock was anything mroe than an excellent vehicle for Robert Downey Jr.'s particular brand of down and dirty cool. I also really liked Monsters Vs. Aliens and The Princess and the Frog, but in a year this packed full of kids movies that made me laugh, cry, and think, i had to eliminate the two that only made me laugh, no matter how funny (MVA) or beautiful (The Princess and the Frog) they were. I also really wanted to put District 9 on this list, because I'm fairly certain that after another viewing I will consider it within the top 5 for this year, but when I sat down to write the review I couldn't remember what had made it so awesome. It feels like I saw it another lifetime ago. So it's relegated to the Honorable Mentions, at least until I get a chance to see it again and really disect what made the story about aliens/apartheid so interesting and refreshing.

*I've read some really awesome deconstructions of the politics of Avatar, both positive and negative, on Cinematical.com and the Avclub.com, that do a much better, succinct and profound job of unpacking that particular can of worms. I was only interested in pointing out how pretty it was.

Wednesday, October 14, 2009

Actor Obsession: Matthew Rhys

Since Brothers & Sisters' first season back in 2006, Matthew Rhys has been one of my favourite people on television. His complicated and endearing character Kevin Walker has also been a favourite, as well as one half of TV's best couple: Kevin and Scotty. The 34-year-old masks an accent and tackles English as a second language (his first is Welsh) to play Kevin and manages to steal every scene that he's in; this week was no exception as his scene with Kitty was the most affecting I've seen in quite some time.

Though most of his film credits have gone unseen by the My TV team, Rhys' work in Julie Taymor's controversial 1999 interpretation of Shakespeare's Titus was startling when Tim and I first saw the film a couple weeks ago. Once we realized that we were watching our beloved kind-hearted Kevin in the despicable role of Demetrius (who, alongside his brother Chiron, played by Jonathan Rhys Meyers, rapes and mames Titus' daughter Lavinia), it took us awhile to adjust to seeing Rhys in such a different character (not to mention sporting a different accent and bleach blond hair). But Rhys' performance is undeniably good, a highlight of the star-studded film and one of the more memorable pieces of character acting I've ever seen.

So with a solid line of credits, international appeal and one of TV's most engaging characters as a day job, the only question that remains is: where is this guy's Emmy?

Monday, October 05, 2009

Dead Poets Society Makes a Comeback


Tonight's How I Met Your Mother paid tribute to the great coming of age movie Dead Poets Society. With Barney's gesture of standing on his desk and addressing Ted as "captain my captain", How I Met Your Mother made up for the merciless (and hilarious) mocking that the same film had endured on Thursday. Last week's Community also referenced the classic movie, but rather than paying homage to its charms, it mocked its absurdities, to great effect. The impracticality of ripping up textbooks, the danger in standing on a desk and the sheer pointlessness of the phrase "seize the day" all became clear as Joel McHale and Co. took a class with a teacher who was "convinced he's in Dead Poets Society" and assigned homework like the task of telling 10 people you love them. With references in two of the funniest shows on TV, this decades old film is clearly making a comeback, as an inspirational tale and a campy icon worthy of satire.

Thursday, August 13, 2009

Obsessions of the Week: August 13th

A Chorus Line: the movie- After watching this ridiculously outdated movie musical for the first time a couple days ago, I find myself wondering if perhaps we're giving the So You Think You Can Dancers too much credit. Watch the dancers in this movie take on the intricate choreography and you'll never accept a mediocre pirouette again. (Fun side note: watch for future-Javert, Terrence Mann, and his impressive moves in a really sympathetic role)

Julie & Julia- yum. The whole movie was a million calories of happy. AND I learned the proper way to brown a mushroom.

Lost in Austen- this adorably strange British import follows a modern Pride & Prejudice fan as she mysteriously gets trapped in the world of the beloved novel. Currently airing on TVO in Canada, Lost in Austen is pure delight for any P&P fan.

Seth Rogen in Funny People- one of the few films in the Apatow comedy genre that I really enjoyed, Funny People was a pleasant surprise (even if it was almost a full hour too long and a bit narcissistic at times). The most pleasant thing about the movie, however, was not so much of a surprise. Seth Rogen (who, when given the right character, can be incredibly charming) has made this list before (for being the best thing about Undeclared) and has done it again this week for his role as Ira, the sweetly loyal struggling comedian who pulls a pathetic Adam Sandler through the uneven story.

Rachael Ray- lots of people hate her, but I jumped on the 30 Minute Meal bandwagon this week and find Ms. EVOO (extra virgin olive oil) entertaining. She talks too loud and too much, she's always including unnecessary personal details, she drops things and looses things and laughs at her own jokes...it's great. Who wants to follow the instructions of someone flawless anyway?

Sean Cheesman on SYTYCD Canada- the second episode of the Canadian series aired tonight and though there were some promising dancers and Leah Miller has finally started to grow on me (though she'll never measure up to Cat Deeley), the judges continued to annoy. By the end of last fall's season 1, I was so tired of Jean-Marc's weak metaphors and Tre's hyperbolic blather that I came to actually appreciate the nutjobs on the American version. Small glimmers of hope, however, appeared with guest judges like Stacey Tookey, Blake McGrath and Rex Harrington. The best of these guests (and choreographers) was always the calm and insightful Sean Cheesman. Cheesman made his first appearance of season 2 tonight and his influence made all the difference. He was quick to the point, was never over the top and made a point of looking for the potential in all the dancers. Add a sexy voice, a snazzy wardrobe, mad choreographic skill and oodles of charm and you've got 1 very good reason to watch So You Think You Can Dance Canada.

And finally,

The Stratford Festival of Canada. I wrapped up my 7 show summer with a weekend excursion that saw me and and a friend ecstatically applauding The Importance of Being Earnest, Julius Caesar and A Midsummer Night's Dream. Earlier in the season I'd seen the festival's colourful West Side Story, beautiful Cyrano de Bergerac, poignant Macbeth and idiotic A Funny Thing Happened on the Way to the Forum (the only thing I really didn't like all season). Highlights included: the incomparable Colm Feore (known to TV fans from Slings & Arrows and 24) as the season's notable guest star, leading a perfect production of Cyrano de Bergerac (under the direction of his wife Donna Feore, who you might remember as one of Triple Sensation's toughest choreographers) and a daring Macbeth that included artistic director Des McAnuff's insightful vision of the Scottish tragedy as set in 20th century Africa with a semi-insulting forced parallel between an (unimpressively played) Lady Macbeth and first lady Michelle Obama; former Hairspray star Tom Rooney showed off his chameleon-like talents in the polar opposite roles of Cassius (the weasely mastermind behind Caesar's assassination) and Puck (the charming, trouble-making fairy in Midsummer); Ben Carlson redeemed himself for last year's horrible Hamlet by playing a pitch-perfect Jack Worthing in Earnest then a chilling multi-dimensional Brutus in Caesar; Mike Shara made me laugh hysterically and fall for his charming characters in Cyrano and Earnest; Relative unknowns Laura Condlln, Jennifer Rias and Andrea Runge stood out in wonderfully vibrant productions of A Midsummer Night's Dream, West Side Story and The Importance of Being Earnest, respectively. I finally got to see Slings & Arrows star Stephen Ouimette onstage in the lovely Earnest and the detestable farce A Funny Thing Happened on the Way to the Forum. Another notable Slings alum, Geraint Wyn Davies (who played season 2's delightful villain Henry Breedlove) brought serious gravitas to his roles as the murdered kings Duncan and Caesar and then serious joy to the (often overplayed) role of Bottom, which he mastered. James MacDonald stood out among the directors for elements of sheer genius that permeated his interpretation of Julius Caesar. Ultimately, however, my true Stratford obsession of the year is a young actor named Bruce Godfrey, who is only in his second season with the festival. An alum of the Royal Shakespeare Company and a highlight of last season's dismal Hamlet (he played Laertes, other highlights included the aforementioned Wyn Davies' Polonius, Rooney's Horatio and Adrienne Gould's Ophelia), Godfrey went into the Dream with the bar set very high (having replaced last year's Romeo, Garreth Potter, who was supposed to take the role). Armed with incomparable energy, daring, commitment and solid classical technique, Godfrey soared as the best thing about the excellent production of A Midsummer Night's Dream, effectively making the (often boring) character of Lysander the most interesting on stage. He also kills himself in Caesar and kills other people in Macbeth, but Midsummer is where he truly shines. If you're able to get to Stratford, ON this season I seriously suggest 6 of these 7 plays (avoid Forum at all costs!): start with the Dream and make sure to see Cyrano, Earnest and Caesar along the way, you won't regret it. Oh Stratford, how do I love thee, let me count the ways!

Saturday, August 01, 2009

Obsession of Right Now


A good old-fashioned baseball movie from the early 90s that features all sorts of wonderful television stars: including The West Wing's Tim Busfield (Danny), Gilmore Girls' Scott Patterson (Luke) and Samantha Who's Kevin Dunn (Howard aka Sam's dad).

Hey, if my team's not doing well I have to have someone to root for right? Hence Little Big League, Angels in the Outfield and A League of Their Own. And, if all else fails, root for the Rays.

Sunday, July 26, 2009

Actor Obsession: Joseph Gordon-Levitt


Joseph Gordon-Levitt is not only the incomparably engaging (and beautifully dimpled) star of my new favourite movie of the summer (500 Days of Summer) but he is also the star of my favourite sports movie of all time (Angels in the Outfield) and my favourite teen movie of all time (10 Things I Hate About You). Oh, and he was on a little show called 3rd Rock From the Sun, you may have heard of it.

The super talented and artistically-minded Gordon-Levitt started out his career at the tender age of 7 with a guest stint on Family Ties. He then established himself as a child star and transitioned seamlessly into a teenage leading man, spending 6 seasons on the beloved sitcom 3rd Rock in the process. After an acting hiatus that saw him studying French at Columbia University, Gordon-Levitt's artistic tastes led him down the independent film road. Now, with his lovable performance in the sweet yet purposely un-sentimental indie 500 Days of Summer, he is reemerging as an audience favourite.

Gordon-Levitt can next be seen in a completely different role for him: in a big blockbuster action film. He plays Cobra Commander in the upcoming GI Joe: The Rise of Cobra (out in August).

(500 Days of Summer kudos also to Zoey Deschanel for brilliantly conquering a very tricky role, to screenwriters Scott Neustadter and Michael H. Webber for a lovely and fresh story that was quirky but not annoyingly-so, and to director Marc Webb for brilliant visuals, great pacing and the casting of lovely TV ladies Rachel Boston and Minka Kelly. See this movie- it's lovely).

Thursday, July 23, 2009

Must Say More: Obsessions 2.0

Brian Williams is the funniest guy that most people assume isn't funny. He tells Jon Stewart that he looked up to Walter Cronkite like Jon looked up to Carrot Top.



The Hangover unexpectedly stands up to a second viewing- who knew I would love this movie? Not me, that's for sure. But my love of Bradley Cooper DOES extend all the way back to season 1 of Alias.




Laura on Big Brother may be eliminated tonight but I REALLY REALLY hope she isn't. Her IQ seems to be as high as her plastic surgeon's salary.



Leah Cogan and Liam Tobin are tearing up Triple Sensation. Have you heard this man sing? If not, you need to be watching this show!

Monday, July 13, 2009

My Favourite Things

My favourite TV writer, Aaron Sorkin, is attached to fix the troubled script for Moneyball, a baseball movie starring Brad Pitt.

Sounds like my kind of movie.

For full details click here

Saturday, June 27, 2009

Girly Rant

This weekend I sat down to watch the (awesome) movie Star Trek for the third time (yes, yes, I'm a dork. Let's move on). And, not for the first time, I marveled at the epic awesomeness that is JJ Abrams blockbuster success. A large portion of that success has to do with its two leads (Zachary Quinto and Chris Pine) and the awesome charisma and chemistry they bring to the screen. And it got me thinking about how badly I want to be Kirk and Spock. They're an epic duo, best friends through thick and thin, a friendship so important that future-Spock was willing to risk the success of the Earth saving mission just to maintain it. Kirk and Spock belong together throughout time and space, and their friendship brings each to new heights.

Which got me thinking of other best buddy pairs throughout time. Butch Cassidy and the Sundance Kid. Jason Segel and Paul Rudd. Turk and JD. Ted and Marshall (or, alternately, Ted and Barney or Barney and Marshall). Ben Affleck and Matt Damon. Gus and Sean. Lennon and McCartney. Pretty much every buddy cop movie of all time. Michael Cera and Jonah Hill. Buzz and Woody. Hiro and Ando. Hell, I just finished the series of Rome, and Vorenus and Pullo were the ultimate, toga-clad bromance. These are friendships so deep that one would die for the other, kill for the other, and give up for the other (in Rome, they do all three!). They are world rocking friendships that go deeper than mere romantic love. They propel their personal stories, provide motivation for the men involved, and help the stories themselves to reach appropriately elevated levels of gravitas.

They're also, you may well notice, all guys. Truly epic friendship on the level of Kirk and Spock is almost exclusively the purview of guys. Once I started thinking about this, I realized that, forget about the epic part, examples of true female friendship were actually harder than you would expect to come up. I can't think of a single television show of note that doesn't feature at least one strong male friendship. Not so for female characters. More often than not, female characters within television and movies are defined almost entirely by their relationship to the male characters in their lives. Sometimes this means epic friendships involving girls are with a male compatriot (see: Wallace and Veronica, Willow and Xander, Zoe and Mal), but more often than not it means that the single important relationship in a female character's life is a romantic one. Notice I didn't even say "single most important relationship;" far too often, there simply doesn't exist any relationship between female characters.

Where there are epic, life changing, boundary crossing, no-limits inter-female relationships, they're almost exclusively limited to between family members. I can think of very few relationships in this world to threaten the supremacy of Lorelai and Rory, but that's mother/daughter and the cultural zeitgeist certainly has no problems imagining women as mother. Similarly, the all chick extravaganza of Charmed was formed entirely around the relationships between the three main women, but this was all sisters. On Heroes, Angela Petrelli and Claire Bennet probably have the closest to a good relationship, but that's all about the grandmotherly concern.

I don't mean to whine, although I do think it's ridiculous that female friendships are so often pushed to the side in writing (and more often than not it's just plain lazy. Where there are female friendships, one tends to be an annoying sidekick character and conversations are almost exclusively an excuse for one girl to spell out her feelings about a guy). What I'd rather do is celebrate those strong female friendships that do exist and can rival that of Kirk and Spock, and ask all of you guys to do the same. In compiling my list, I couldn't come up with a single friendship that I was able to list without a caveat, but maybe you'll be more successful. After the list, I provided my judging criteria, so before you add your own thoughts in the comment section, check there to see if I disqualified it for one reason or another.

1. Thelma and Louise- This movie is held up as the ultimate example of feminist movie making in a lot of circles and it's the closest thing to a female Butch and Sundance. Their friendship is the one positive in a life filled with negatives for both women, and they both draw strength and bad assitude from it. Watching the two women go all rogue together, and find enough self-actualization to be outlaws, is about as empowering and cool as it gets. They've even got the epic/tragic thing down.

2. Xena and Gabrielle- These two would be number one if it weren't for one little caveat, which, for the record, was actually a large portion of my motivation in writing this post. But I'll save that for last. Xena and Gabrielle were epic by any measurement. They fought the dark forces of the world together, weathered loves lost, evil enchantings, child bearing, and all manner of mischief thanks to Joxer the Mighty together. Either would have happily died for the other, bled for the other, killed for the other, and they were often given the opportunity to do so. On top of that, they had a sort of oddball chemistry that brought out the best in both of them. So why weren't they number one? Because of one little thing: the series ultimately turned theirs into a romantic love. Don't get me wrong, it made sense (I recently rewatched early Xena episodes and was hit over the head with the none-so-subtle lesbian subtext), but it made it so that I can't count Xena and Gabrielle as the most convincingly awesome epic duo. In the end of the story, we don't need to be told that Barney and Ted actually covet one another's body in order to believe their epic friendship; we're able to just accept that these two guys believe that "without you I'm just the dynamic uno." Still, for many, many years, the adventures of Gabrielle and Xena were every bit as epic, cool, and legend (wait for it) dary as one needs.

3. Serena and Blair- Hear me out. On the surface, Serena and Blair seem exactly like what I'm complaining about. They're bitchy to each other, catty about each other, and far more often than I would like, ditching each other for male companionship. But they're also, by far, the most important relationship on the show, and many of the storylines are built around the powerhouse awesomeness that is Selair (I tried to do the cutesy couple thing. It didn't work). On top of that, and the real reason that Serena and Blair make the list, is that they have fun together. Remember when they randomly stole clothes from Blair's mom during Season One and then just spent the day taking goofy pictures all over NYC? That was friendship, baby doll, true and simple, the type we rarely get to see girls having. It wasn't dramatic or boy-oriented, it was fun and freeing and brought out the best in both up tight Blair and dramatic, care free Serena. And the rumblings felt through out the Gossip Girl universe whenever the two shall part is enough in and of itself to make me keep them on the epic list.

4. Buffy and Willow- I debated for a while putting this on, since technically there exists a group dynamic between Buffy, Willow and Xander that's essential for both the show and for Buffy herself, but then I remembered one very important scene. There's a moment in Season Three right after Buffy gets back from hiding out in LA where Willow is clearly mad at Buffy and not talking about. Buffy, being her usual self-centered self, tries to apologize for causing Willow worry by disappearing, when Willow breaks down and admits that she's just as annoyed at Buffy for not being there for her. It's not just about the worry about having the slayer for your best friend, it's about the simple fact that her best friend wasn't there to help her sort through her feelings about her blossoming magical talent, sex with Oz, and being a senior. It's one of the truest moments I've ever seen on a show that was full of amazingly true moments, and it felt very much so like what friendship feels like. It's not all clearly articulated positions and good guys and bad guys; sometimes it can be about insensitivity and emotions. This moment is echoed often throughout the series, such as Willow and Buffy rappelling down the wall in The Initiative and talking about the big changes Willow's gone through in the season, and helps to reinforce just how important this relationship is to Buffy. Plus, if you've read the comics, you learn that the Willow/Buffy relationship is just as important, epic and dangerous as any of those boys up there.

5. Veronica and Lilly- Everything about Veronica was defined by her relationship with Lily and the way that Lilly helped her to overcome being shy and to be more comfortable with herself. On top of that, it was for love of Lilly that Veronica went from preppy over-achiever to bad ass PI. But of course, Lilly was dead, so much as I might want to celebrate the relationship, and I do think it's all sort of epic awesomeness, at the end of the day we've still got a Veronica whose closest relationship is the (all types of awesome in his own way) Wallace Fennell.

For the record, I've got nothing against guy love. In fact, if anything, I like it a little too much. Give me a good story about two interesting dudes who like nothing more than each other's company, and I'm a happy girl. I'm just saying it'd be cool if we could get equal girl love.

Judging Criteria:
  • Epic. Legendary. Adventure-having. (in other words, not just the person our female protagonist bitches to. For a true Epic Kirk/Spock level friendship, both girls have to be awesome/interesting in their own right and the plot of the show has to be at least partially motivated around their relationship, not just around their support of each other when other things fall apart). They have to be willing to move mountains, not to mention inconvenience themselves for each other, and ultimately, it has to feel like this platonic friendship is at least as important to each of them as is true love (I was going to say more important, but since I believe Marshal and Ted are totally epic, and Marshall definitely loves Lily as much as he loves Ted, it had to be amended).
  • True friendship. This kind of goes along with epic, but the friendship has to be more than bitching about guys, or supporting each other about guys. It has to legitimately feel like these girls have interests in common and a friendship that has its own demands, needs, and, most of all, fun.
  • Post-high school. This one was a little more dicey, but since I think children's television is actually much better at having girl friends than adult television, but that said friendships don't reach the emotional pathos of adult male friendships, the line between the two became too dicey.
  • Not family members. It's not revolutionary to show a woman's ability to relate to her family members. In fact, in "the family" is a very comfortable place for society to put women. So, sorry Gilmore Girls, but I've got to take a pass.
  • Not "groups." Although still relatively rare, female groups of friends (gaggles, if you will) are occasionally presented on television, and are even occasionally very, very strong. But Kirk and Spock exist outside of the crew of the starship Enterprise, and Woody and Buzz have a friendship way stronger than those with the rest of the toys. The thing that is remarkable about these friendships isn't just that they are so close; it's the exclusivity of it. This means that although I actually think the very best thing about Sex and the City is the fact that these womens were friends through thick and thin (and that this is actually one of the better portrayals of female friendship in television and film history) and that their friendships were equally important to the plot of the show as was their relationships with guys, I couldn't include Carrie and... anyone on the list.
  • Modern. It's not that I don't think Lucy and Ethel were good friends, it's just that I didn't really feel qualified to talk about them. Plus, I was more interested in the state of current popular culture than earlier culture.