Showing posts with label Joan of Arcadia. Show all posts
Showing posts with label Joan of Arcadia. Show all posts
Saturday, September 24, 2011
Pilot Watch: A Gifted Man
by Kelly Bedard
A Gifted Man is not a new show. I mean, it is a new show- a CBS Friday night experiment in unconventional procedural drama- but it adheres to a formula that's been produced three notable times before. Wonderfalls, Joan of Arcadia and (most similarly) Eli Stone are all what I call "prophet shows": client/case/patient-of-the-week agnostic faith-based stories of redemption and connection with strong ties to the ether. A Gifted Man is a more dramatic (and less George Michael-full) take on the same thing, though vaguer with the mythology (and God vs. ghost clarification) behind its ethereal messages. Each time I've seen a new prophet show I've liked it a lot and it's been canceled quickly. Here's hoping, as predictable and slightly Ghost Whisperer-y as it might be, A Gifted Man doesn't suffer the fate of the three great prophet shows.
Labels:
A Gifted Man,
Eli Stone,
Joan of Arcadia,
Pilot Watch,
Wonderfalls
Sunday, January 09, 2011
TV Stars in The Movies
The holiday movie rush has produced some truly excellent and some disappointing fare. But one thing has remained true: TV stars are really bringing it to the big screen this season. Click on the movie titles to read reviews from our sister site My Cinema.
First there's the rush of TV faces who play a crowd at a dinner party and make up the brief but best part of Fair Game. Current TV superstar (and longtime My TV favourite, from way before Modern Family) Ty Burrell is there alongside beloved character actors from past TV seasons like FRIENDS' Susan (Jessica Hecht) and Grey's Anatomy's Erica Hahn (Brooke Smith). Fantastic Broadway player Norbert Leo Butz formerly of ABC's short-lived The Deep End also joins them for dinner.
Grey's Anatomy's Sandra Oh livens up a dreary adaptation of Rabbit Hole, as she does for anything she's in, former Joan of Arcadia star Amber Tamblyn, Everwood's Treat Williams, Lizzy Caplan from Party Down/The Class and Gossip Girl's Clemence Poesy fill the limited supporting roles in James Franco (Freaks & Geeks/ General Hospital)'s tour de force 127 Hours. and That 70's Show's Mila Kunis continues her rise to film stardom with an impressive and My Cinema Award (among other awards)- nominated supporting performance in Black Swan.
Gossip Girl's best actress Leighton Meester gives the performance of her career so far in Country Strong as a beauty queen-turned-country singer on tour with her idol. Meester delivers excellent vocals and a compelling performance as the surprisingly multi-faceted Chiles Stanton.
And then there's Burlesque. The musical is absolutely packed with TV stars delivering excellent performances. Grey's Anatomy's Eric Dane plays a slick real-estate tycoon and Veronica Mars herself Kristin Bell plays the star of the burlesque show, showing off that Tisch musical theatre degree that so many people forget about. David Walton (100 Questions/Perfect Couples) and Dianna Agron (Glee) put in fantastic turns in tiny but important parts, and pros of the reality dance world Julianne Hough (Dancing with the Stars) and Chelsea Traille (So You Think You Can Dance) hold down the burlesque chorus. Perhaps the best TV star performances come from former OC stars Peter Gallagher and Cam Gigandet. Gallagher, always reliably excellent, plays Cher's ex-husband and co-club owner. Gigandet, remembered fondly as the guy who killed Marissa, nails the easily-fumbled role of Christina Aguilera's unavailable love interest with easy charm and sincerity.
If you're going to the movies this month, you're bound to see some truly excellent film actors. But don't forget where a lot of them find their home- TV.
First there's the rush of TV faces who play a crowd at a dinner party and make up the brief but best part of Fair Game. Current TV superstar (and longtime My TV favourite, from way before Modern Family) Ty Burrell is there alongside beloved character actors from past TV seasons like FRIENDS' Susan (Jessica Hecht) and Grey's Anatomy's Erica Hahn (Brooke Smith). Fantastic Broadway player Norbert Leo Butz formerly of ABC's short-lived The Deep End also joins them for dinner.
Grey's Anatomy's Sandra Oh livens up a dreary adaptation of Rabbit Hole, as she does for anything she's in, former Joan of Arcadia star Amber Tamblyn, Everwood's Treat Williams, Lizzy Caplan from Party Down/The Class and Gossip Girl's Clemence Poesy fill the limited supporting roles in James Franco (Freaks & Geeks/ General Hospital)'s tour de force 127 Hours. and That 70's Show's Mila Kunis continues her rise to film stardom with an impressive and My Cinema Award (among other awards)- nominated supporting performance in Black Swan.
Gossip Girl's best actress Leighton Meester gives the performance of her career so far in Country Strong as a beauty queen-turned-country singer on tour with her idol. Meester delivers excellent vocals and a compelling performance as the surprisingly multi-faceted Chiles Stanton.
And then there's Burlesque. The musical is absolutely packed with TV stars delivering excellent performances. Grey's Anatomy's Eric Dane plays a slick real-estate tycoon and Veronica Mars herself Kristin Bell plays the star of the burlesque show, showing off that Tisch musical theatre degree that so many people forget about. David Walton (100 Questions/Perfect Couples) and Dianna Agron (Glee) put in fantastic turns in tiny but important parts, and pros of the reality dance world Julianne Hough (Dancing with the Stars) and Chelsea Traille (So You Think You Can Dance) hold down the burlesque chorus. Perhaps the best TV star performances come from former OC stars Peter Gallagher and Cam Gigandet. Gallagher, always reliably excellent, plays Cher's ex-husband and co-club owner. Gigandet, remembered fondly as the guy who killed Marissa, nails the easily-fumbled role of Christina Aguilera's unavailable love interest with easy charm and sincerity.
If you're going to the movies this month, you're bound to see some truly excellent film actors. But don't forget where a lot of them find their home- TV.
Wednesday, February 13, 2008
Television Prophets
All hail the the almighty end of the writers strike.
That being said, there's another almighty at work in today's TV climate- the actual almighty.
Considering all the shows in question thought themselves completely original at the time of conception, it's almost surprising that in the span of the last 2 weeks Ive come in contact with 3 different shows about people who are contacted by God... that's right THREE.
Such an obscure (and possibly controversial) concept, one would think, would be a rarity- oh no, it's not.
I recently bought the second season of an old favourite of mine on DVD- "Joan of Arcadia". I also have fallen newly in love with an under appreciated gem called "Wonderfalls". Inspiring slightly less enthusiasm but still warranting a watch is "Eli Stone" which premiered 2 weeks ago in the strike-struck wasteland that is television at the moment.
There are probably a couple more "god speaks to our characters" shows out there too- I've just missed them.
Here's the breakdown of the prophet formula:
1) the unlikely hero: a disenfranchised teen, a cold corporate lawyer,whatever. as long as they're sarcastic, cynical, secretly big hearted and completely nonreligious they'll work ( Jaye, Joan and Eli).
2) the snarky friend: someone to question the weird behaviour of the new found prophet and keep them rooted in reality. again, sarcasm is a must but it has to be someone who knows the hero well and spends a lot of time with them (before and after the visions begin). (Jaye's friend Mahandra, Joan's friend Grace and Eli's assistant Patti)
3) the authority on science: the person who tries to explain it all away (Jaye's therapist Dr. Ron, Joan's scientist brother Luke and Eli's doctor brother Nathan)
4) the authority on faith: the person who knows about "something more" who can explain why the hero is perhaps not completely crazy (Jaye's theologist brother Aaron, Joan's artist boyfriend Adam and Eli's acupuncturist friend Dr. Chen)
5) the bizarre God-ly medium: how God reaches our hero (inanimate animal objects speak to Jaye, God appears as ever changing everyday people to Joan and He reaches Eli through the songs of George Michael)
6) and everything else: a lack of organized religious participation on the part of the hero, strong family connections, weekly cryptic "missions", the hero's strong sense of detachment from others, moderate to enthusiastic critical acclaim, low ratings and early cancellation.
and who says only crime shows can be procedural? if visions from the ether can be formulaic, anything can. God help us all.
That being said, there's another almighty at work in today's TV climate- the actual almighty.
Considering all the shows in question thought themselves completely original at the time of conception, it's almost surprising that in the span of the last 2 weeks Ive come in contact with 3 different shows about people who are contacted by God... that's right THREE.
Such an obscure (and possibly controversial) concept, one would think, would be a rarity- oh no, it's not.
I recently bought the second season of an old favourite of mine on DVD- "Joan of Arcadia". I also have fallen newly in love with an under appreciated gem called "Wonderfalls". Inspiring slightly less enthusiasm but still warranting a watch is "Eli Stone" which premiered 2 weeks ago in the strike-struck wasteland that is television at the moment.
There are probably a couple more "god speaks to our characters" shows out there too- I've just missed them.
Here's the breakdown of the prophet formula:
1) the unlikely hero: a disenfranchised teen, a cold corporate lawyer,whatever. as long as they're sarcastic, cynical, secretly big hearted and completely nonreligious they'll work ( Jaye, Joan and Eli).
2) the snarky friend: someone to question the weird behaviour of the new found prophet and keep them rooted in reality. again, sarcasm is a must but it has to be someone who knows the hero well and spends a lot of time with them (before and after the visions begin). (Jaye's friend Mahandra, Joan's friend Grace and Eli's assistant Patti)
3) the authority on science: the person who tries to explain it all away (Jaye's therapist Dr. Ron, Joan's scientist brother Luke and Eli's doctor brother Nathan)
4) the authority on faith: the person who knows about "something more" who can explain why the hero is perhaps not completely crazy (Jaye's theologist brother Aaron, Joan's artist boyfriend Adam and Eli's acupuncturist friend Dr. Chen)
5) the bizarre God-ly medium: how God reaches our hero (inanimate animal objects speak to Jaye, God appears as ever changing everyday people to Joan and He reaches Eli through the songs of George Michael)
6) and everything else: a lack of organized religious participation on the part of the hero, strong family connections, weekly cryptic "missions", the hero's strong sense of detachment from others, moderate to enthusiastic critical acclaim, low ratings and early cancellation.
and who says only crime shows can be procedural? if visions from the ether can be formulaic, anything can. God help us all.
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