Showing posts with label Veronica Mars. Show all posts
Showing posts with label Veronica Mars. Show all posts

Monday, October 31, 2011

Switched at Birth: Season One


by Rachael Nisenkier

I once touted the virtues of the Hulu-enabled series catch-up on this very website, but today, in view of Netflix’s dismal stock showings, I’m here to throw the company a bone.

Netflix remains a great way to stumble upon TV shows you never would have considered during their regular schedule.

And so it was that one bored evening, when the World Series-delayed regular programming continued its absence from my TV screen, I decided to click on a random ABC Family drama Switched At Birth. Now apparently this show had stellar (for ABC Family) ratings, but I hadn’t really heard of it. But never shy to indulge in TV shows about people almost ten years my junior, I started watching.

Sunday, January 09, 2011

TV Stars in The Movies

The holiday movie rush has produced some truly excellent and some disappointing fare. But one thing has remained true: TV stars are really bringing it to the big screen this season. Click on the movie titles to read reviews from our sister site My Cinema.

First there's the rush of TV faces who play a crowd at a dinner party and make up the brief but best part of Fair Game. Current TV superstar (and longtime My TV favourite, from way before Modern Family) Ty Burrell is there alongside beloved character actors from past TV seasons like FRIENDS' Susan (Jessica Hecht) and Grey's Anatomy's Erica Hahn (Brooke Smith). Fantastic Broadway player Norbert Leo Butz formerly of ABC's short-lived The Deep End also joins them for dinner.


Grey's Anatomy's Sandra Oh livens up a dreary adaptation of Rabbit Hole, as she does for anything she's in, former Joan of Arcadia star Amber Tamblyn, Everwood's Treat Williams, Lizzy Caplan from Party Down/The Class and Gossip Girl's Clemence Poesy fill the limited supporting roles in James Franco (Freaks & Geeks/ General Hospital)'s tour de force 127 Hours. and That 70's Show's Mila Kunis continues her rise to film stardom with an impressive and My Cinema Award (among other awards)- nominated supporting performance in Black Swan

Gossip Girl's best actress Leighton Meester gives the performance of her career so far in Country Strong as a beauty queen-turned-country singer on tour with her idol. Meester delivers excellent vocals and a compelling performance as the surprisingly multi-faceted Chiles Stanton.

And then there's Burlesque. The musical is absolutely packed with TV stars delivering excellent performances. Grey's Anatomy's Eric Dane plays a slick real-estate tycoon and Veronica Mars herself Kristin Bell plays the star of the burlesque show, showing off that Tisch musical theatre degree that so many people forget about. David Walton (100 Questions/Perfect Couples) and Dianna Agron (Glee) put in fantastic turns in tiny but important parts, and pros of the reality dance world Julianne Hough (Dancing with the Stars) and Chelsea Traille (So You Think You Can Dance) hold down the burlesque chorus. Perhaps the best TV star performances come from former OC stars Peter Gallagher and Cam Gigandet. Gallagher, always reliably excellent, plays Cher's ex-husband and co-club owner. Gigandet, remembered fondly as the guy who killed Marissa, nails the easily-fumbled role of Christina Aguilera's unavailable love interest with easy charm and sincerity.

If you're going to the movies this month, you're bound to see some truly excellent film actors. But don't forget where a lot of them find their home- TV.

Wednesday, December 09, 2009

I think I Might Be Maturing... And Other Startling Pop-Culture Related Revelations

My love for the redeemable bad boy has been well chronicled on this site, and with my ever-abiding and increasing love for Glee's Puck and HIMYM's Barney as continuing proof, I suppose it hasn't really ended. But recently, while rewatching Veronica Mars Season Three (because, well, if it's a season that I can't quote entirely from memory, that's just not okay) I realized that I might, just might, be maturing a little. Suddenly, Logan's whole broody bad boy thing seemed unfounded and off-putting. I'm sure season one's break light cracking, FBI-punching version might still make my little heart go pitter patter, but I actually found myself rooting for... you guessed it... Piz.

And it's more than just that. I watch early Gilmore Girls seasons and think, "Milo Ventimiglia is cute and all, but does Jess have to be such a grump?" Where before I saw deepness and sexiness, I'm suddenly all, "young people these days don't know how good they have it.*" I find myself increasingly worshipping at the altar of the Chucks (from Chuck) of this world, rather than the Chucks (from Gossip Girl).


Even Twilight, my enjoyment of which certainly seems like the greatest evidence one could find against my continued maturation, seems to be trying to remind me that I'm not a moony eyed fourteen year old anymore. Gone are the days of angsting away after the Edward Cullens of the world. I'm suddenly loving the more emotionally healthy werewolf best friend.


It's one of the most fun parts of being a popular culture junkie that I can truly measure growth in my life by my relation to popular culture, but this one took me a little by surprise. I wonder what farther reaching complications it has for me?


I'm trying to think of other, similar revelations. I remember watching Freaks and Geeks before high school and getting a completely different message out of it, but I think that's to be expected. And I certainly appreciate aspects of Buffy's later seasons a lot more now that I'm on a different side of the adolescent divide.


What about the rest of you? Any deep revelations spring up for you while watching your regularly scheduled programming?


*Which should not be misconstrued as jumping ship to Team Dean.

Saturday, June 27, 2009

Girly Rant

This weekend I sat down to watch the (awesome) movie Star Trek for the third time (yes, yes, I'm a dork. Let's move on). And, not for the first time, I marveled at the epic awesomeness that is JJ Abrams blockbuster success. A large portion of that success has to do with its two leads (Zachary Quinto and Chris Pine) and the awesome charisma and chemistry they bring to the screen. And it got me thinking about how badly I want to be Kirk and Spock. They're an epic duo, best friends through thick and thin, a friendship so important that future-Spock was willing to risk the success of the Earth saving mission just to maintain it. Kirk and Spock belong together throughout time and space, and their friendship brings each to new heights.

Which got me thinking of other best buddy pairs throughout time. Butch Cassidy and the Sundance Kid. Jason Segel and Paul Rudd. Turk and JD. Ted and Marshall (or, alternately, Ted and Barney or Barney and Marshall). Ben Affleck and Matt Damon. Gus and Sean. Lennon and McCartney. Pretty much every buddy cop movie of all time. Michael Cera and Jonah Hill. Buzz and Woody. Hiro and Ando. Hell, I just finished the series of Rome, and Vorenus and Pullo were the ultimate, toga-clad bromance. These are friendships so deep that one would die for the other, kill for the other, and give up for the other (in Rome, they do all three!). They are world rocking friendships that go deeper than mere romantic love. They propel their personal stories, provide motivation for the men involved, and help the stories themselves to reach appropriately elevated levels of gravitas.

They're also, you may well notice, all guys. Truly epic friendship on the level of Kirk and Spock is almost exclusively the purview of guys. Once I started thinking about this, I realized that, forget about the epic part, examples of true female friendship were actually harder than you would expect to come up. I can't think of a single television show of note that doesn't feature at least one strong male friendship. Not so for female characters. More often than not, female characters within television and movies are defined almost entirely by their relationship to the male characters in their lives. Sometimes this means epic friendships involving girls are with a male compatriot (see: Wallace and Veronica, Willow and Xander, Zoe and Mal), but more often than not it means that the single important relationship in a female character's life is a romantic one. Notice I didn't even say "single most important relationship;" far too often, there simply doesn't exist any relationship between female characters.

Where there are epic, life changing, boundary crossing, no-limits inter-female relationships, they're almost exclusively limited to between family members. I can think of very few relationships in this world to threaten the supremacy of Lorelai and Rory, but that's mother/daughter and the cultural zeitgeist certainly has no problems imagining women as mother. Similarly, the all chick extravaganza of Charmed was formed entirely around the relationships between the three main women, but this was all sisters. On Heroes, Angela Petrelli and Claire Bennet probably have the closest to a good relationship, but that's all about the grandmotherly concern.

I don't mean to whine, although I do think it's ridiculous that female friendships are so often pushed to the side in writing (and more often than not it's just plain lazy. Where there are female friendships, one tends to be an annoying sidekick character and conversations are almost exclusively an excuse for one girl to spell out her feelings about a guy). What I'd rather do is celebrate those strong female friendships that do exist and can rival that of Kirk and Spock, and ask all of you guys to do the same. In compiling my list, I couldn't come up with a single friendship that I was able to list without a caveat, but maybe you'll be more successful. After the list, I provided my judging criteria, so before you add your own thoughts in the comment section, check there to see if I disqualified it for one reason or another.

1. Thelma and Louise- This movie is held up as the ultimate example of feminist movie making in a lot of circles and it's the closest thing to a female Butch and Sundance. Their friendship is the one positive in a life filled with negatives for both women, and they both draw strength and bad assitude from it. Watching the two women go all rogue together, and find enough self-actualization to be outlaws, is about as empowering and cool as it gets. They've even got the epic/tragic thing down.

2. Xena and Gabrielle- These two would be number one if it weren't for one little caveat, which, for the record, was actually a large portion of my motivation in writing this post. But I'll save that for last. Xena and Gabrielle were epic by any measurement. They fought the dark forces of the world together, weathered loves lost, evil enchantings, child bearing, and all manner of mischief thanks to Joxer the Mighty together. Either would have happily died for the other, bled for the other, killed for the other, and they were often given the opportunity to do so. On top of that, they had a sort of oddball chemistry that brought out the best in both of them. So why weren't they number one? Because of one little thing: the series ultimately turned theirs into a romantic love. Don't get me wrong, it made sense (I recently rewatched early Xena episodes and was hit over the head with the none-so-subtle lesbian subtext), but it made it so that I can't count Xena and Gabrielle as the most convincingly awesome epic duo. In the end of the story, we don't need to be told that Barney and Ted actually covet one another's body in order to believe their epic friendship; we're able to just accept that these two guys believe that "without you I'm just the dynamic uno." Still, for many, many years, the adventures of Gabrielle and Xena were every bit as epic, cool, and legend (wait for it) dary as one needs.

3. Serena and Blair- Hear me out. On the surface, Serena and Blair seem exactly like what I'm complaining about. They're bitchy to each other, catty about each other, and far more often than I would like, ditching each other for male companionship. But they're also, by far, the most important relationship on the show, and many of the storylines are built around the powerhouse awesomeness that is Selair (I tried to do the cutesy couple thing. It didn't work). On top of that, and the real reason that Serena and Blair make the list, is that they have fun together. Remember when they randomly stole clothes from Blair's mom during Season One and then just spent the day taking goofy pictures all over NYC? That was friendship, baby doll, true and simple, the type we rarely get to see girls having. It wasn't dramatic or boy-oriented, it was fun and freeing and brought out the best in both up tight Blair and dramatic, care free Serena. And the rumblings felt through out the Gossip Girl universe whenever the two shall part is enough in and of itself to make me keep them on the epic list.

4. Buffy and Willow- I debated for a while putting this on, since technically there exists a group dynamic between Buffy, Willow and Xander that's essential for both the show and for Buffy herself, but then I remembered one very important scene. There's a moment in Season Three right after Buffy gets back from hiding out in LA where Willow is clearly mad at Buffy and not talking about. Buffy, being her usual self-centered self, tries to apologize for causing Willow worry by disappearing, when Willow breaks down and admits that she's just as annoyed at Buffy for not being there for her. It's not just about the worry about having the slayer for your best friend, it's about the simple fact that her best friend wasn't there to help her sort through her feelings about her blossoming magical talent, sex with Oz, and being a senior. It's one of the truest moments I've ever seen on a show that was full of amazingly true moments, and it felt very much so like what friendship feels like. It's not all clearly articulated positions and good guys and bad guys; sometimes it can be about insensitivity and emotions. This moment is echoed often throughout the series, such as Willow and Buffy rappelling down the wall in The Initiative and talking about the big changes Willow's gone through in the season, and helps to reinforce just how important this relationship is to Buffy. Plus, if you've read the comics, you learn that the Willow/Buffy relationship is just as important, epic and dangerous as any of those boys up there.

5. Veronica and Lilly- Everything about Veronica was defined by her relationship with Lily and the way that Lilly helped her to overcome being shy and to be more comfortable with herself. On top of that, it was for love of Lilly that Veronica went from preppy over-achiever to bad ass PI. But of course, Lilly was dead, so much as I might want to celebrate the relationship, and I do think it's all sort of epic awesomeness, at the end of the day we've still got a Veronica whose closest relationship is the (all types of awesome in his own way) Wallace Fennell.

For the record, I've got nothing against guy love. In fact, if anything, I like it a little too much. Give me a good story about two interesting dudes who like nothing more than each other's company, and I'm a happy girl. I'm just saying it'd be cool if we could get equal girl love.

Judging Criteria:
  • Epic. Legendary. Adventure-having. (in other words, not just the person our female protagonist bitches to. For a true Epic Kirk/Spock level friendship, both girls have to be awesome/interesting in their own right and the plot of the show has to be at least partially motivated around their relationship, not just around their support of each other when other things fall apart). They have to be willing to move mountains, not to mention inconvenience themselves for each other, and ultimately, it has to feel like this platonic friendship is at least as important to each of them as is true love (I was going to say more important, but since I believe Marshal and Ted are totally epic, and Marshall definitely loves Lily as much as he loves Ted, it had to be amended).
  • True friendship. This kind of goes along with epic, but the friendship has to be more than bitching about guys, or supporting each other about guys. It has to legitimately feel like these girls have interests in common and a friendship that has its own demands, needs, and, most of all, fun.
  • Post-high school. This one was a little more dicey, but since I think children's television is actually much better at having girl friends than adult television, but that said friendships don't reach the emotional pathos of adult male friendships, the line between the two became too dicey.
  • Not family members. It's not revolutionary to show a woman's ability to relate to her family members. In fact, in "the family" is a very comfortable place for society to put women. So, sorry Gilmore Girls, but I've got to take a pass.
  • Not "groups." Although still relatively rare, female groups of friends (gaggles, if you will) are occasionally presented on television, and are even occasionally very, very strong. But Kirk and Spock exist outside of the crew of the starship Enterprise, and Woody and Buzz have a friendship way stronger than those with the rest of the toys. The thing that is remarkable about these friendships isn't just that they are so close; it's the exclusivity of it. This means that although I actually think the very best thing about Sex and the City is the fact that these womens were friends through thick and thin (and that this is actually one of the better portrayals of female friendship in television and film history) and that their friendships were equally important to the plot of the show as was their relationships with guys, I couldn't include Carrie and... anyone on the list.
  • Modern. It's not that I don't think Lucy and Ethel were good friends, it's just that I didn't really feel qualified to talk about them. Plus, I was more interested in the state of current popular culture than earlier culture.

Thursday, June 18, 2009

My Current Actor Obsession

Tina Majorino.

Tina first came into my consciousness as the cute little girl in 1994's Corrina, Corrina.

Since then, she graduated high school at the age of 15, became a trained opera singer, earned her black belt in martial arts and went on to star in one of the biggest cult films of the decade (Napoleon Dynamite).

But it wasn't until her turn as blue-haired Mac (Cindy "Mac" Mackenzie aka Veronica Mars' Q) that Tina Majorino became a My TV favourite.

Now, as I finally watch season 3 of Big Love, she remains at the top of the "unsung supporting actress" list. Throughout the series, Tina's role as Heather, a conservative Mormon struggling to look past her own beliefs to be friends with the daughter of polygamists, Sarah (played by the incomparable Amanda Seyfried, another Veronica Mars alum), was a key part of what made Big Love such a multi-faceted show. Heather's conflict with Sarah coming to a head in season 3 only served to showcase Tina Majorino's underrated skill all the more unmistakably.

A child star who turned out sane, complete with a host of hidden talents, a good head on her shoulders and impeccable taste in TV roles, Tina Majorino is one in a million.

Simply put, the girl is really cool.

Saturday, February 28, 2009

Exciting Casting News



In case you weren't excited about the Gossip Girl spinoff already (a distinct possibility, I grant you), the latest casting news should have you not only jumping on the bandwagon but also jumping for joy. 

Brittany Snow and Krysten Ritter are set to star as the central sisters in the series. Snow, who is best known as a modern day 60s icon from her portrayal of Hairspray mean girl Amber Von Tussle and her starring role in the beloved period show American Dreams, will be taking on a new decade (the 80s) as a young Lily Van Der Woodsen (Serena's mom). Ritter will play her sister Carol, the other central figure in the spinoff. Ritter, a much-admired character actress, has lent her quirky charm to many a recurring role in such demographically perfect TV gems as Gilmore girls and Veronica Mars

With Snow's established leading lady charisma and Ritter's delightful quirkiness working in tandem, the only question I need answered about this impending spinoff is Who's Gonna Play Rufus? 

Wednesday, February 18, 2009

Recipe for Success

Set Veronica Mars creator Rob Thomas free on a low-pressure network like Starz. 
Add a winning comedy concept (a catering company full of wannabes). 
Then give him a plethora of Mars alum to work with (Vinnie Van Lowe, Dick Casablancas, Logan, Meg and Veronica herself... just for starters).
And add a sprinkling of other winning cast members (the incomparable Jane Lynch, the always likable Lizzie Caplan, and Ryan Devlin, whom some may remember as the guy who appeared on my TV for 1 hour of Valentine this fall and made me giddy for months).

The result is Party Down, a new comedy premiering Friday, March 20 on Starz; sure to be a treat for any Thomas fan. 

For the full story, visit "Watch with Kristin" at Eonline by clicking here

Tuesday, December 16, 2008

This Week's Big Bang Theory and the Christmas Episode Hypothesis

Rachael here, with my second post, in a trying-to-avoid-finishing-finals glory!

This week's BBT featured a guest spot by none other than Michael Trucco. Don't know who he is? You clearly haven't been doing your nerdy homework. Trucco is none other than dream-worthy sometimes-Starbuck-love-interest Samuel Anders from Battlestar Galactica. And that's a big deal for a lot of nerds, from me to Dwight Schrute. Here he pops up in a cameo on the geekiest show currently on television NOT featuring aliens. And yet somehow his cameo felt forced and awkward, mainly because it was pretty hard to believe that Trucco spends time in between tequila shots and gym visits working on advanced particle physics.


Despite this, I've got to say I loved this week's BBT, mainly thanks to the Sheldon storyline. I never cease to find it funny how difficult Sheldon finds normal person tasks, and add to that the fact that it REALLY is difficult to gage what type of present to get for people on the cusp of friendship, and well, I thought the B-story this week was top notch. I really have enjoyed watching this season the relationship between Penny and Sheldon be explored more, especially since I never really adored last season's emphasis on Leonard and Penny. But even that relationship worked for me this episode, and I was genuinely touched by their near-end-of-episode commiserating gin drinking.

The end of episode kicker, with Sheldon so grateful for his Leonard Nimoy DNA/autograph that he risks physical contact, was like the culmination of all that I love about BBT this season. Penny's reaction is real, hilarious, and touched, Leonard is allowed a witty kicker line, and we get some fantastically awkward acting from Jim Parsons.

This episode also illustrates one of my television viewing theories: more than sweeps, more than season ending cliffhangers, holidays make for the best episodes. Think Thanksgiving on Friends, Fashion Week on Ugly Betty, or Chrismukkah for the Cohens. And I must say the Christmas special, since it's the most common, is probably my favorite. These episodes occasionally see fruition on a frustrating love story, but more often than not serve as mediums to amp up the drama on shows, or to allow the characters to interact in a new light (as was the case, within reason, here).

So without further ado, here are three of my all time favorite Christmas Episodes, all with varying degrees of sweetness, but all definitely turning points in their respective series in the relationships between the characters. And I invite you all to share your thoughts, too!

An Echolls Family Christmas, Veronica Mars, 2004: Aw, poker games and cheating husbands. Just like Christmas back home. Oh wait, no, this is Christmas Neptune-style, where no one is ever telling the truth, especially if their last name is Echolls. Still, this episode marks a major turning point for Neptune's own Resident Psychotic Jackass, Logan Echolls. Not only do we get a whole episode's worth of him and Veronica shooting verbal barbs at each other before either had any idea what a good kisser the other was (including one of my all time favorite lines, "Annoy tiny blond one, annoy like the wind!"), but we also get a well plotted mystery-of-the-week, and a healthy dose of foreshadowing that only seems more poignant once you've finished Season One. And like all good holiday episodes, it takes our usual characters out of their normal situations, and keeps them together for the episode. Weevil, Duncan, Logan and Veronica are forced together for the duration in the mystery of the disappearing $5 grand, and the final super awkward holiday party (in which Logan's parental dysfunction, Veronica's anger at the Kanes, and the socioeconomic issues that defined this show all come to a head) is one for the record books. Add to that the super ironic fake snow Christmas display provided by Lynne Echolls for her holiday revelers, and this is the Christmas episode by which all other Christmas episodes should be judged.

The Man in The Fallout Shelter, Bones, 2005: This episode of Bones was the first one in which we really got to know the supporting characters who would come to define the show, sometimes for better and sometimes for worse. But it's the first time we really got to take a look inside the lives of Angela, Zach and Hodgins outside of their aptitudes for art, bones and bugs (respectively). Plus, it features a very high on medicine Booth tweaking out and half naked. The show takes what I just described as the Holiday-episode-formula (take the main characters, put them somewhere new, keep them there for uncomfortably long) to a literal extreme: all the main characters are forced away from their normal Christmas plans when an old set of bones causes them all to get quarantined in the lab. The result was enough pain, comedy and genuine affection to help bump Bones from a show I kind of enjoyed to one of my favorites. And it's the perfect example of all the TV show has going for it, from the witty writing, the engaging characters, to the fun to decipher mystery-of-the-week. Plus, as aforementioned, Seeley Booth (Boreanaz) half-naked.

Amends, Buffy the Vampire Slayer, 1998: Season 3 of Buffy is my favorite season of (possibly) my favorite series of all time, but that's not why I love this Christmas episode. I love it because it's impossibly corny, and hope-filled and beautiful for an episode that also features scary eyeless henchmen that continue to give me nightmares to this day. Not only that, but it's a solid Buffy episode. It semi-answers the question of Angels miraculous return from hell, and (although it will take four more seasons for this to matter) introduces the hugest of huge baddies. Although I never went full throttle on the Angel/Buffy-shipping (being more of the mind that Buffy had yet to meet her soul mate, pun intended, by show's end) this episode alone could probably convince me of the epic awesomeness of their love. It features a haunted (even more so than usual) Angel being brought to the brink of suicide by a malevolent force called the First and his creepy eyeless henchmen who claim responsibility for his recent miraculous return to Earth. It's up to Buffy to defeat the First and stop Angel from killing himself. When all that fails, it ends with a miraculous snowfall in (sunny) Sunnydale that keeps the sun at bay long enough to save the flammable Angel and prove that there's some force out there, other than the First, that wants him back on Earth. On top of all that, it's a Joss Whedon episode, which is all fans of the show know, means it brings each and every character to a new high point in their character arc and features witty dialogue the likes of which not heard since, well, the last Whedon-written episode. Add in solid B-stories featuring Willow and Oz considering sleeping together, Xander dealing with breaking up with Cordy and his continued family problems, and Giles having to put away his animosity towards Angel, and stir to get a perfect holiday confection. And this also features a half naked David Boreanaz.

So what have we learned from all this, kids? Well, apparently David Boreanaz is various degrees of undress is the cure for all manner of Scroogey-ness.